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S ound Espressivo Rules, Regulations, Formats Some competitions may have varied requirements for repertory, age, dates, and other, and may award unique Prizes not available in other Competitions. For additional details please read carefully the webpage for that Competition. For additional details about Masters and Masterworks Competition, please see Section 15 below. Download a PDF of Rules here 1. Eligibility Competition is open to classical and jazz musicians of • all nationalities and all ages • all instruments and voice • ensembles and groups of any size and composition For the Preliminary Round applicants must either submit a recent video of their own performance or choose a date on the Application form to audition LIVE through an Internet Broadcast system. Semi Finalists and Finalists MUST be prepared to compete LIVE through Internet Broadcast TV method. Participants for The Sound Espressivo competition must have access to broadband internet with a computer that contains a microphone and video camera. Technical assistance, necessary preparations, consultations, individual remote tech check sessions with Broadcast Producers and Engineers, production of the Broadcast, and Broadcast management are provided by the Sound Espressivo partner, a Virginia based broadcasting and production company Virtual Concert Hals. 2. Competition Rounds Sound Espressivo is held in two rounds: • Preliminary Round • Finals 3. Dates, Deadlines, Application Process Refer to specific Dates and Deadlines stated on the Competition websites, for each Concert Season Contestants apply online through SEC website Portal by filling out the Application Form and completing the payment through SEC payment system online. Payment methods: major credit cards. Additional payment methods can be requested by an applicant, but not guaranteed. All contestants who advance to Finals Round will have to fill out a Registration Form and pay Live Auditions fee by a deadline stated in the Form, in order to confirm their participation in the Final Round. 4. Financial Aid Full and Partial Scholarships covering Application and/or Registration Fees may be awarded to qualified applicants based on need. Inquiries and requests for Financial Aid are considered based on the Applicant’s unique circumstances and the Competition’s ability to provide funds. Financial Aid may be awarded to qualified applicants towards purchasing and/or renting necessary equipment required for quality broadcasting of the Contestant’s performances in Semi Final and Final Rounds ONLY. No Aid will be awarded towards costs for Preliminary Round video submissions. 5. Age Groups, Categories, Instruments SEC accepts all instruments, ages, styles, and voice. In the Preliminary Round of the Competition contestants compete within their respective age groups. Instruments accepted: • Piano • All String Instruments • All Wind Instruments • Guitar • Harp • All Percussion Instruments • All Baroque Instruments • All Ensembles • Voice Eligible music styles and periods: • Baroque (Period instruments) • Classical • Contemporary including performances of original compositions by contestants and all types of “covers”: transcriptions, paraphrases, cadenzas, and other. • Jazz, including improvisations, jingles, mixes, standards, and other. • Music from around the world • Opera and Lieder • Broadway and Light In the Final Round contestants compete within their respective age groups in the following Categories: • 10 and under • 11-14 • 15-18 • Adult (19 and older) 6. Repertory and Time Limits • Contestants are free to choose any repertory, for ALL Rounds; pick what represents you best as a musician. • If you wish to be considered for special Awards check the descriptions on the website and plan your repertory accordingly. Time limits • For all Preliminary Round Auditions Videos time limit is 10 min. • You will not be disqualified for shorter performances • If you choose one composition which is longer than 10 min., you will not be disqualified for overtime • Final Rounds - time limits and repertory requirements vary, please check specific requirements on website. 7. Competition Procedures and Formats SEC is held globally online. Video submissions are allowed only for the Preliminary Round. Final Round is held in the format of a LIVE Internet TV public Broadcast. Technical assistance, necessary technical preparations, consultations, guidance materials (printed, digital, video); individual remote tech check sessions with Broadcast Producers and Engineers, production of the Broadcast, Broadcast management are provided by the Sound Espressivo business partner, Virtual Concert Halls, a Virginia, USA based broadcasting and production company. Videos and Broadcasts of the Competition Rounds are property of Sound Espressivo and Virtual Concert Halls which retain full control of the copyrights. 8. Adjudication process Each Preliminary Audition video is adjudicated by one member of the SEC Judges’ Panel. SEC Judges may provide written comments for video submissions (available upon request) Final Rounds are adjudicated by the Judges Panel consisting of several members. Judges will provide on-air artistic feedback to each contestant immediately after the performance. All decisions by SEC Judges are final and may not be disputed. All decisions by companies-sponsors of Prizes and Awards are made by the respective companies’ representatives and are final. 9. Prizes and Awards • Each Contestants will receive Judges' comments (written for video submissions, live onscreen for live performances) • Certificate of Participation. Laureates. Up to 6 (Six) Laureates will be chosen by the Judges Panel in consultation with SEC Board. Each Laureate Award Package is valued at total of $8,500. Total Award Pool for Laureate Awards is valued at $51,000. Laureates are eligible to receive the following Awards pending Judges Panel decisions: • Laureate Recital Award. Valued at $5,000 each. Full management service from VCHS necessary to provide the Laureate with an opportunity to present a full solo recital on the VCHS Virtual Stage. Each Laureate Recital will be publicly broadcast on all VCHS platforms. Each Laureate Recital will be promoted through VCHS social networks, mailing lists, media. Each Laureate Recital and its promotion campaigns will be serviced by VCHS producers, graphic designers, copywriters, social media specialists, audio/video streaming engineers. Dates of Laureate Recitals TBD • Laureate Interview Award. Valued at $2,000 each. Interview Award provided by VCHS. The Award is aimed at helping Laureates launch their careers, promote their artistry, jump-start their presence as musicians of statute. Each Interview will be professionally scripted and services by VCHS production teams and conducted by VCHS Host in a format of a live broadcast. Each Interview is up to 60 minutes in length. • Laureate Coaching Award. Valued at $1,000 each. Full course on professional streaming/broadcasting technology and methods provided by VCHS. Valued at $1,000 each. • Laureate Profile Award. Valued at $500 each. Professionally designed Artistic Profile on SEC and VCHS websites Laureates are eligible to receive additional Awards sponsored by Companies (check the Prizes Page on SEC website) Winners. Up to 12 (Twelve) Winners will be selected by the Judges Panels to receive Winners Package Award. Judges Panels have a complete discression when selecting Winners. Each Winner Award Package is valued at $3,800. Total Award Pool for Winners Awards is valued at $45,600. Judges Panels may choose up to: One First Place Winner, One Second Place Winner, One Third Place Winner in each Age Category Multiple Honorable Mentions may be awarded. • Winners Concert Award. Valued at $2,000 each. Up to 12 Winners will be selected by the Judges Panel to receive this award. Each Winner is eligible to receive full management service from VCHS necessary to provide the Winner with an opportunity to perform in a group Winners Concert on the VCHS Virtual Stage. Time limit per performer is 20 minutes. • Winner Group Interview Award. Valued at $1,000 each. Group Interview Award is provided by VCHS. The Award is aimed at helping Winners launch their careers, promote their artistry, jump-start their presence as musicians of statute. Each Interview will be professionally scripted and services by VCHS production teams and conducted by VCHS Host in a format of a live broadcast. Each Interview is up to 60 minutes in length and will present no more than 4 Winners. • Winner Group Coaching Award. Valued at $500. Full course on professional streaming/broadcasting technology and methods provided by VCHS. In groups of no more than 6 Winners. • Winner Profile Award. Valued at $300 each. Professionally designed Artistic Profile in a group space on SEC website. Honorable Mentions. Up to 10 (Ten Awards) Valued at $1,000 each. Total Award Pool for these Honorable Mention Awards is up to 10, or up to $10,000. All Finalists who are awarded an Honorable Mention will receive an Honorable Mention Award Package consisting of: Designer Certificate Profile in an Honorable Mention group page on SEC website An invitation to perform in one multicast group concert on VCHS Virtual Stage (time onstage per performer is limited to 5 minutes) Additional Awards and Prizes All applicants are eligible to be selected to compete in Sound Espressivo Live Finals All Finalists, including Laureates, Winners, and Honorable Mentions are eligible and considered to receive scholarship Prizes to participate in masterclasses with distinguished artists around the world. All Finalists are eligible and considered to receive scholarship Prizes for participation in prestigious summer programs and festivals around the World. All Finalists are eligible and considered to receive scholarship Prizes for VCHS Broadcasting Seminar All Semi Finalists and Finalists receive a Designer Certificate reflecting their respective advancements. All Applicants receive Recognition Award sponsored by the iClassical Academy, regardless of their advancement. All Applicants are eligible to receive free passes to observe masterclasses with distinguished artists around the world. Prizes sponsored by international music companies. All Finalists will be considered by SEC sponsoring companies as candidates for the Prizes (check the list of Prizes on SEC website periodic updates as the Competition regularly accepts more eligible Prizes from companies around the World). Sponsored Prizes are awarded by the companies- sponsors' representatives independently from the Judges Panels. Not all Prizes may be awarded. Companies’ decisions are final. Cash Awards. All Finalists, Winners, and Laureates are eligible and will be considered as candidates to receive cash Awards. Specific amounts of each category of cash Awards will be determined and announced by the SEC Board as soon as practical, for each Season. Your family and friends can watch your live performance and cheer in real time. Your performance will be recorded, and your friends will be able to see it after that date. If you choose to submit a video, it will be premiered on our channels and available for replays. 10. Prizes sponsored by Partner Companies Sponsor Companies’ Awards are posted publicly on the SEC website, for each Season. The list of Partner Companies and the Prizes is updated on a regular basis, please check periodically the Prizes and Awards page on the website for the most up-to-date information. Partner-sponsored Prizes include possibilities to receive: • Performance engagements, Management services, • Scholarships for prestigious music festivals and summer programs Scholarships for masterclasses and courses • Coaching programs for musicians in career planning, social media for musicians, professional topics of musicians’ health and wellbeing • Scholarships for access to professional and educational resources Professional audio and video recording services • Professional web design services specific to musicians and artists Graphic design services for performing artists. • All Finalists will be considered by SEC sponsoring companies as candidates for the Prizes (check the list of Prizes on SEC website periodic updates as the Competition regularly accepts more eligible Prizes from companies around the World). Sponsored Prizes are awarded by the companies-sponsors' representatives independently from the Judges Panels. Not all Prizes may be awarded. Companies’ decisions are final. 11. Teachers’ and Educational Institutions’ recognition Sound Espressivo Competition Board understands the importance of support which students receive from their community, their schools, and especially from their teachers, for them to grow as musicians. As our token of appreciation for the hard and creative work which these people and organizations invest in the students' growth and future, we provide Sound Espressivo Contestants' School and Teacher with a featured space on the Sound Espressivo website. Each Teacher and School will receive a Profile created on the SEC website, including visual branding and individual Teacher’s pictures, we will also provide links for visitors to learn more about these distinguished educators and institutions. 12. Public Broadcasts. Tech requirements and release/consent forms All public broadcasts of the Competition are provided and managed by Virtual Concert Halls, an independent broadcasting and production company registered and headquartered in Vienna, Virginia, USA. VCHS will provide each Contestant with who performs on the public broadcasts of SEC events with instructional materials, individual preparation time and tech checks with streaming producers and staff, and all assistance available, to ensure an even field of the quality technical presentation for all SEC Contestants. Please refer to the “Technical Requirements” section on the website for more detailed information All Contestants, Guests, Teachers, Representatives, others who appear on the VCHS Broadcasts of the SEC events must sign release/consent forms, as required by the Virginia local, the US Federal, and the international laws and regulations governing public Internet TV broadcasts. Please note: Each Contestant’s checking of a BOX on the Application Form constitutes their consent and is in place of a separate signature of a separate form. To review the form, click here Virtual Concert Halls enjoys the “Allow Listed Broadcaster status from the Warner Music Group which provides VCHS broadcasts with protection against getting “muted,” taken down, or otherwise disfigured by WMG Copyrights Department through copyrights claims. VCHS earned the status through its strict adherence to copyrights and international regulations. All those who appear on the SEC public broadcasts provided by VCHS will enjoy the privileged status which comes with the responsibilities for Contestants and others to only perform music which they have the right to perform. 13. Privacy Policy and Consent/Release Form By submitting an Application to any competitions posted on Sound Espressivo website you consent to Privacy Policy and copyrights Release for public broadcasts and other forms of presentations associated with participation on SEC events. SEC Privacy Policy can be reviewed here Consent /Release form can be viewed here 14. Competition Board Sound Espressivo Board of Directors and Advisers is the governing body of the Competition. SEC Board Officers and Members: Anna Ouspenskaya, Secretary Antara Hebbar, Member, Youth Advisor Micah Yui, Member, Adviser Avguste Antonov, Member, Adviser Mellasenah Morris-Edwards, Member, Adviser Michal Szostak, Member, Adviser Section 15 Masters and Masterworks Competition 2023-24 Music for Youth! Call for Scores by living Composers. Performers who wish to present new music. Compositions for Piano, Violin, Cello Winners - Scores and Perfomers - will be presented at the Weill Recital Hall at Carnegie Hall Gala Concert on April 1, 2024 Performance at the Carnegie Hall is a Fully Sponsored opportunity, no performance fee required Application Deadline - October 15, 2023 Masters and Masterworks mission is to connect young musicians and living composers on a journey of discovery of Music for Youth! Music for Piano, Violin, or Cello, written for Young Performers. Violin and Cello pieces can be with or without accompaniment. No compositions for chamber ensembles. Compositions for Piano 4Hands are accepted. Awards Up to Three Scores will be selected for a performance at the Weill Recital Hall at Carnegie Hall on April 1, 2024, at the Laureates Gala (one composition for Piano, plus one for Violin, plus one for Cello). Up to Three Performers will be selected to perform these compositions at Carnegie Hall. All performances are fully sponsored by Sound Espressivo, Progressive Musicians, and Virtual Concert Halls. There is NO PERFORMANCE FEE required for Winners to perform at the Gala concert at Carnegie Hall (travel and accommodations in NY City are the responsibility of the Winner). In addition to the performance, all Winners (Composers and Performers) will receive: A Carnegie Hall Archival DIGITAL VIDEO of their performance (see Regulations for acceptable uses as per by Carnegie Hall rules) Medal Certificate Full color brochure (digital and printed) Complimentary ticket An Interview by Steve Robinson, a world-renowned producer of Photos Letters of recommendation and other support Professional Portfolio packets available upon request Judges’ decisions are final and cannot be disputed. Not all Prizes may be awarded. Application and Audition Process Preliminary Round Composers sumbit scores. One score per Application. Duration limit - 5 min Performers submit a video of any composition of their choice. Time limit - 10 min Results Composers: Up to 6 scores will be selected for the Final Round (two scores per each instrument) Scores will be published on the websites and made downloadable for Performers. Composers whose pieces were selected will join the Judges Panel as Artistic Advisors (non-voting members). Performers: Up to 12 Finalists will be selected for the Live Round (4 musicians per each instrument). The jury may select Alternates. Finalists will choose a piece which they wish to prepare for the Final Round, from the Finalist scores. Final Round Live performance by 12 Finalists in front of the Judges Panel, on a world-wide Internet TV Broadcast. The Judges Panel includes Composers of the pieces which were selected for the Final Round. Composers and Performers will have an opportunity to meet and get to know each other. Judges from aroud the world provide on-air commentary immediately after each performance. Finalists meet the Judges and can ask questions. Musicians' supporters can write comments which will be shown onscreen. Family and friends can watch and be part of your LIVE performance from anywhere in the world. Performer Finalists will receive Technical Preparation session with VCHS Broadcast Directors and Engineers, in preparation for the broadcast, at no additional cost. More about Broadcast technology for musicians here Age Limits Composers: no age limit Performers: 18 and under Application Fee Composers: $75 Performers: $100 Finals Live fee: $0 Winners Performance at Carnegie Hall fee: $0 Important DATES October 15, 2023 - Composers submit scores and Application Deadline November 05, 2023 - Scores selected for Finals are announced. November 15, 2023 - Performer Application Deadline (submit a video of any composition) December 5, 2023 - 12 Finalists are announced. February 1, 2024 - Registration deadline for the Performers Tech Preparation sessions for Performers February 19-23, 2024 - Tech Preparation sessions for Finalists (no additional fee required) February 24-26, 2024 - Final Round of the Competition APRIL 1, 2024 - Laureates Gala Concert at Weill recital Hall at Carnegie Hall

Acerca de Laureates and Winners Concert Booking Dear Sound Espressivo Laureates and Winners This is your concert booking page To reserve your concert date please use the registration form below Deadline to book your date for 2022-2023 concert season in August 31, 2022 This page will provide you with information and instructions regarding your concert(s) with Sound Espressivo and Virtual Concert Halls Please provide all requested information on time to help our agents and producers with preparing the broadcasts of your performances We are excited to work with all of you again this coming season! Book Your Date Fill all required fields before submitting First Name Last Name Email Phone Enter URL if you have a website Country and State/Province Teacher's name Teacher's contact Teacher's website School's website Upload your publicity picture Upload File Upload supported file (Max 15MB) Biography for publicity Repertory to be performed To choose your date click on the SIGN UP button I submitted my date choice on Signup Genius page I agree to the terms & conditions View consent document Submit Thanks for submitting!

Learn how to apply, what to expect, when are the dealines, who can compete, what to play, how to submit a video, categories, age groups, requirements Bienvenido a Sound Espressivo 2021 ¡Las preliminares están aquí! Elige tu fecha 24-25 de abril 29-30 de mayo 26-27 de junio 24-25 de julio 28-29 de agosto 25-26 de septiembre 23-24 de octubre 27-28 de noviembre (verifique los plazos a continuación) Grupos de edad Menores de 10 11-14 15-18 19-25 Adulto (26+) Límite de tiempo para las preliminares: 10 minutos Repertorio - libre elección Medio Piano S tring Instrumentos Instrumentos de viento Guitarra Arpa Instrumentos de percusión Instrumentos barrocos Conjuntos y grupos de cámara Voz Danza Instrumentos tradicionales Inscribirse Escoger Actuación en vivo o Envío de video pregrabado Competitivo o no competitivo Categoría Artística Estilo / período: Barroco, Clásico, Contemporáneo , Jazz Detalles Sonido expresivo Rondas semifinales y finales: Diciembre de 2021 Repertorio - libre elección Límite de tiempo: 10 minutos Más detalles a continuación FECHAS Y PLAZOS Plazo de solicitud 15 de abril Mayo 1 1 ° de Junio 1 de julio Agosto 1 Septiembre 1 1 de octubre 1 de noviembre Fecha de actuación 24-25 de abril 29-30 de mayo 26-27 de junio 24-25 de julio 28-29 de agosto 25-26 de septiembre 23-24 de octubre 27-28 de noviembre MEDIO Instrumentos Piano Todo S tring Instrumentos Todos los instrumentos de viento Guitarra Arpa Todos los instrumentos de percusión Todos los instrumentos barrocos Otro medio de rendimiento Conjuntos y grupos de cámara Voz Danza Instrumentos tradicionales ESCOGER ACTUACIÓN EN VIVO Tarifa de solicitud: $ 80 ¿Qué es? Actuarás en vivo a través de transmisión pública por Internet-TV. Los productores de VCHS te ayudarán con tu tecnología No es necesario descargar ni aprender ningún software Esto no es Zoom, ¡te verás y sonarás genial! ¿Qué obtengo? Su actuación en directo será grabada profesionalmente por ingenieros de radiodifusión. La grabación de su actuación estará disponible en SEC YouTube y otros canales para repeticiones. Puede solicitar una copia de su video de actuación individual (se aplica una tarifa de $ 75) Instrucción grupal sobre transmisión de presentaciones en vivo Verificación técnica individual ESCOGER ENVÍO DE VIDEO DE SU GRABACIÓN Tarifa de solicitud: $ 55 ¿Cómo presento? Puede cargar un archivo de video MP4 o Puede enviar un enlace de YouTube ¿Qué obtengo? Su video se estrenará en YouTube, sitio web, Facebook y otros canales. Su video aparecerá en una galería de videos en el sitio web de la SEC Su video estará disponible para repeticiones después del estreno. Aún puede elegir "Competitivo" y ser considerado para las Semifinales de Sound Espressivo ESCOGER COMPETITIVO ¿Qué hacer? Solicite recibir comentarios de los jueces (escritos para presentaciones de video, o en vivo si eliges actuar en vivo) Solicite ser considerado para las semifinales de la competencia Sound Espressivo en diciembre de 2021 ¿Qué obtengo? Certificado Comentarios de los jueces (escritos para presentaciones de video; en vivo en pantalla para presentaciones en vivo) Puede ser seleccionado para competir en las Semifinales de Sound Espressivo en diciembre de 2021 Los ganadores de las preliminares reciben becas completas para participar en clases magistrales con jueces. Los ganadores de las preliminares reciben becas completas para el seminario de radiodifusión de VCHS ESCOGER NO COMPETITIVO ¿Qué es? Una oportunidad de baja presión para compartir su arte y talento. No serás juzgado ¿Qué obtengo? Certificado Tu familia y amigos pueden ver tu actuación en vivo y animar en tiempo real. Tu actuación será grabada y tus amigos podrán verla después de la fecha. Recibirás un pase gratuito para observar las clases magistrales con los jueces. Si elige enviar un video, se estrenará en nuestros canales y disponible para repeticiones REPERTORIO Y LÍMITES DE TIEMPO Repertorio Eres libre de elegir cualquier repertorio, ¡elige lo que mejor te represente como músico! Consulte a continuación las categorías artísticas. Si elige uno, elija sus piezas para reflejar esa categoría Límites de tiempo Para todas las preliminares, el tiempo límite es de 10 minutos. Mismo límite para videos y presentaciones en vivo Vas a no ser descalificado por actuaciones más cortas Si eliges una composición que dure más de 10 min., no será descalificado por horas extras Rondas semifinales y finales: sin límite de tiempo GRUPOS DE EDAD Y CATEGORÍAS ARTÍSTICAS Grupos de edad Menores de 10 11-14 15-18 19-25 Adulto (26+) Categorías Artísticas Puede elegir una categoría o ninguna Programa Virtuosidad Miniatura Lírico Profundo Rápido Innovador Académico Embajador Ninguno PERIODOS Y ESTILOS MUSICALES ¡Elija dónde prospera! Clásico hasta mediados del siglo XX Barroco (instrumentos de época) Contemporáneo Jazz Musica de todo el mundo Para cantantes Ópera Broadway Canción

¡Aprenda los "aspectos prácticos" sobre cómo se desarrolla la competencia! YouTube Vimeo Facebook Vea nuestros tutoriales en vídeo de 2 minutos con explicaciones! Categorías, Repertorio, Registro, Audiciones Tecnología Planificación, Rondas, Grupos de Edades. ¿Qué es la transmisión en vivo? ¿En qué se diferencia de Zoom Meeting? Y más.

Fondo de la familia Ouspensky Beca de experiencia en conducción Este premio es una beca completa para experimentar una introducción inmersiva a la dirección, desde el primer toque de batuta, hasta un lugar en un podio dirigiendo una orquesta. Un Finalista de Sound Espressivo que sea elegido para recibir este Premio tendrá la oportunidad de trabajar con un director destacado durante un período de varios meses, después de lo cual tendrá la oportunidad de dirigir una orquesta sinfónica profesional. Este premio fue establecido por Ouspensky Family Fund con el propósito de ayudar a los jóvenes músicos a iniciarse en la dirección y descubrir nuevos talentos a través de la experiencia, la forma en que el director ruso Michail Ouspensky fue descubierto por Yuri Ahronovitch , uno de los grandes directores ruso-israelíes de el siglo XX ¿Qué es la Beca de Experiencia de Conducta? 5 realización de lecciones durante un período de 5 meses. Tareas para completar Un tiempo de ensayo en el podio dirigiendo una orquesta profesional. La beca SEC2021 se ofrece en colaboración con la New York Chamber Players Orchestra y su director musical Giacomo Franci Potencialmente una oportunidad para realizar una pieza corta públicamente en un concierto durante octubre-noviembre de la próxima temporada 2022-2023 en el centro diMenna de la ciudad de Nueva York . En 2021, la experiencia de dirección se ofrece en colaboración con la New York Chamber Players Orchestra y su director musical. Giacomo Franci

Sound Espressivo 2020 Sound Espressivo 2020 Reproducir video Compartir Canal completo Este video Facebook Twitter Pinterest Tumblr Copiar Enlace Enlace copiado Search videos Buscar video... Ahora en reproducción 27:15 Reproducir video Message to Contestants Ahora en reproducción 51:25 Reproducir video Artist Portrait and Interview with Sound Espressivo Judge Donna Weng Friedman Ahora en reproducción 53:21 Reproducir video Sadie Goodman, flute - Sound Espressivo Laureates' Recital Ahora en reproducción 01:04:17 Reproducir video Mira Kardan, cello - Sound Espressivo Laureates' Recital Ahora en reproducción 48:58 Reproducir video Mio Imai, violin - Sound Espressivo Laureates' Recital Ahora en reproducción 41:55 Reproducir video Ryan Huang, piano - Sound Espressivo Laureates' Recital Ahora en reproducción 43:59 Reproducir video Simon Yao, piano - Sound Espressivo Laureates' Recital Ahora en reproducción 54:41 Reproducir video SEC presents Piano Masterclass with Avguste Antonov on Haydn - Sonata in A-flat Major, Hob XVI 46 Ahora en reproducción 01:16:21 Reproducir video SEC: meet Kara Hanson-Hajjafari, Sarah Robertson, Janette Zahia Corcelius, and Jeffrey Lavner. Ahora en reproducción 00:00 Reproducir video Sound Espressivo Competition presents the 1st Prize Winners of 2020 edition Ahora en reproducción 02:29:55 Reproducir video SEC Gala - presenting the Laureates, management companies name the recipients and award 49 Prizes Ahora en reproducción 00:00 Reproducir video Sound Espressivo Competition Ahora en reproducción 56:11 Reproducir video Sound Espressivo Competition presents the 1st Prize Winners of 2020 edition Ahora en reproducción 01:14:23 Reproducir video Sound Espressivo Competition presents the 1st Prize Winners of 2020 edition Ahora en reproducción 06:31:19 Reproducir video Sound Espressivo Finals, Day 2 Ahora en reproducción 09:04:52 Reproducir video Sound Espressivo Finals, Day 1

Fecha límite de solicitud: 25 de noviembre ¡FECHA LÍMITE! Debes completar la audición preliminar en vivo. antes del 30 de noviembre . Se le sirve en orden de llegada. ¡Reserve su cita con anticipación! Regístrese y reserve su fecha de audición 1. Confirmaremos su fecha / hora por correo electrónico que proporcione en su formulario de solicitud 2. Le enviaremos un enlace para iniciar sesión en nuestro estudio para su audición. 3. Verifique su computadora y su conexión a Internet 4. ¡Prepárate para la audición! Prepare su computadora portátil e inicie sesión en Broadcast Studio para su audición PRIVADA con el juez 1. Nuestro ingeniero de sonido se reunirá con usted y lo ayudará con la configuración de su tecnología. Te haremos sonar tu ¡mejor! 2. El juez de competencia escuchará su presentación en la audición. 3. El juez le dirá de inmediato si avanzó a la Ronda de Nominaciones. Si lo hace, el juez escribirá un mensaje de felicitaciones que luego copiará / pegará en su formulario de registro para la ronda de nominaciones. La ronda semifinal de nominaciones comienza en diciembre 1 Ronda de nominaciones es una transmisión pública en vivo!

¿Cuáles son los requisitos del repertorio? ¡No hay ningún requisito específico! Somos un concurso de música clásica y jazz, así que elija el repertorio en consecuencia, pero no solicitamos piezas o períodos de tiempo específicos. Elija lo que represente mejor su mérito artístico. ¿Tengo que jugar las mismas piezas en todas las rondas? Puedes incluir las piezas de tu Ronda Preliminar. El repertorio para todas las rondas es de libre elección. Debes jugar DIFERENTES piezas en las rondas semifinal y final. ¿Qué hace que esta competencia sea diferente a cualquier otra? Es completamente virtual con muchos elementos innovadores que puede ver arriba en las diapositivas y cuadros. Nuestras transmisiones se realizan utilizando tecnología de televisión (¡NO Zoom!) ¿Cómo sé que soy lo suficientemente bueno para competir? ¡Todos los niveles son bienvenidos! Puede elegir competitivo o no competitivo. Con muchas categorías en las que sobresalir y múltiples grupos de edad en los que ganar, esta competencia ofrece una de las mayores alineaciones de ganadores y premios que existen. ¿Necesito una grabación para ingresar? Aceptamos envíos de videos solo para la ronda preliminar Puedes optar por realizar todas las rondas EN VIVO ¿Cómo actúo con un acompañante? Si desea actuar con un acompañante, le recomendamos pedirle que grabe el menos uno (solo la parte de acompañamiento) en el tempo con el que se sienta cómodo. Tenga listo un .mp4 / .mp3 antes de venir a la Ronda Preliminar. Recomendamos el uso de auriculares inalámbricos para tocar y escuchar el menos uno mientras toca. Por supuesto, si los requisitos de distanciamiento social en tu país te permiten actuar en el mismo espacio con tu acompañante, ¡adelante! ¿Cómo sé que mi equipo es lo suficientemente bueno para funcionar en una transmisión en vivo? Visite la página de Requisitos técnicos para obtener una lista de las cosas que necesitará para tener un tiempo libre de estrés en la verificación técnica. Si ya cumples con el mínimo, postula con confianza. Si no es así, recomendamos buscar el equipo en línea o pedir prestado a amigos. Mi profesor es uno de los jueces, ¿todavía puedo postularme para competir? ¡Absolutamente! Su desempeño será adjudicado por el panel que EXCLUIRá a sus maestros actuales y anteriores. ¿Tengo que ganar el primer lugar para recibir algún premio? ¡Para nada! Numerosos premios son ofrecidos por distinguidas empresas con amplia experiencia en la promoción de las artes escénicas y expertas en música clásica. Cada empresa otorgará su (s) premio (s) a los finalistas de su elección. Sus decisiones pueden coincidir o no con las de los jueces. Algunas empresas pueden optar por no otorgar sus premios. ¿Puedo ganar dinero? Este año nos enfocamos en brindar a los ganadores premios destinados a promover sus oportunidades de interpretación y educación musical. La 2da edición de Sound Espressivo NO ofrece premios en efectivo ¿Mi maestro obtendrá reconocimiento? ¡Por supuesto! ¡Tus profesores comparten sus conocimientos e inspiración contigo! El Concurso reconocerá a los maestros y escuelas de cada participante en la página de Maestros. Si gana, su maestro será invitado a unirse a la transmisión en vivo y recibirá un reconocimiento especial durante la Ceremonia de Premiación virtual. Todavía tengo más preguntas. ¿Qué tengo que hacer? Envíenos su pregunta por correo electrónico o chat directamente! Haremos todo lo posible para responder a sus preguntas allí.

Conozca a los creadores, jueces y creadores de Sound Espressivo Laureados, sus maestros y padres, Patrocinadores de premios Conozca las oportunidades de las PERSONAS que las crean Haga preguntas: obtenga respuestas durante esta transmisión pública Para comunicados de prensa, horarios y oradores invitados, haga clic aquí. Virtual Concert Halls Reproducir video Reproducir video MMAG Artist Spotlight Series featuring Kevin Matheson Join us for a special episode of the MMAG Artist Spotlight Series featuring the outstanding violinist Kevin Matheson in conversation with renowned broadcaster Steve Robinson. Kevin Matheson is an accomplished violinist, chamber musician, educator, arranger, and concertmaster. A first-prize winner at the Charleston International Music Competition, he has appeared as a soloist in concertos by Vivaldi, Bruch, and Mozart and has performed extensively as both a recitalist and chamber musician. Together with his brother in a violin-and-viola duo, Matheson has toured internationally and appeared at Yamaha Hall in Tokyo. His work also includes creative collaborations with ballet companies, arrangements of Broadway, operatic, cinematic, and orchestral repertoire, premieres of newly commissioned chamber works, and numerous recordings. He serves as concertmaster of the Orchestra of Virginia’s Blue Ridge and teaches at Hollins University. In this exclusive interview, Kevin Matheson shares his musical journey, artistic inspirations, competition and performance experiences, and his approach to bringing virtuosity, character, and emotional freedom to the violin. He also reflects on chamber music, collaboration, arranging, teaching, and the importance of keeping classical performance connected to audiences. Following the interview, viewers will enjoy a featured performance of: 🎼 Pablo de Sarasate: Zigeunerweisen, Op. 20 🎧 About Steve Robinson Steve Robinson is a veteran American radio executive and producer, known for his leadership at WFMT Chicago, WBUR, WGBH, WCRB, and other major public broadcasting organizations. Through these conversations, he helps audiences connect with the stories behind today’s remarkable artists. 🌍 Learn more about Kevin Matheson: https://www.musguild.com/kevin-matheson 🌍 Learn more and apply: https://www.soundespressivocompetition.com/ https://colorchestra.com/ 🌐 Learn more about Virtual Concert Halls: https://virtualconcerthalls.com/ 🎬 Production Credits Today’s broadcast was brought to you by the VCHS Production Team: Frane Rušinović • Ante Božić-Kudrić • Chris Au • Jennifer Wang • Marko Borna Torre • Krisztian Palagyi • Anna Ouspenskaya • Fedor Ouspensky • Igor Zubkovsky #KevinMatheson #Violinist #Sarasate #Zigeunerweisen #ViolinVirtuoso #ClassicalViolin #ChamberMusic #ArtistInterview #SteveRobinson #MMAGArtistSpotlight #SoundEspressivo #VirtualConcertHalls Reproducir video Reproducir video 52:45 MMAG Artist Spotlight Series featuring David Wroe Join us for a special episode of the MMAG Artist Spotlight Series featuring the outstanding conductor Maestro David Wroe in conversation with renowned broadcaster Steve Robinson. David Wroe is an internationally active conductor whose career encompasses symphonic music, opera, ballet, education, and cross-genre collaborations. He serves as Music Director of the New Jersey Festival Orchestra and has held conducting positions with major musical organisations in the United States and Europe. A former assistant conductor to Seiji Ozawa at the Boston Symphony Orchestra, Maestro Wroe has conducted orchestras across North America, Europe, and Asia. His professional experience includes engagements with New York City Opera, orchestras in France, Germany, Austria, the United Kingdom, Canada, Israel, Taiwan, South Korea, and China, as well as extensive work supporting emerging musicians through university residencies, youth concerts, masterclasses, and adjudication. In this exclusive interview, David Wroe shares his musical journey, artistic inspirations, conducting experiences, and the responsibility of bringing musicians together around a unified interpretation. He also offers insight into leadership, collaboration, orchestral communication, and the unique energy created between a conductor, an orchestra, and an audience. Following the interview, viewers will enjoy a featured performance of: 🎼 Pyotr Ilyich Tchaikovsky: Symphony No. 5 in E Minor, Op. 64 🎧 About Steve Robinson Steve Robinson is a veteran American radio executive and producer, known for his leadership at WFMT Chicago, WBUR, WGBH, WCRB, and other major public broadcasting organizations. Through these conversations, he helps audiences connect with the stories behind today’s remarkable artists. 🌍 Learn more about David Wroe: https://www.musguild.com/david-wroe 🌍 Learn more and apply: https://www.soundespressivocompetition.com/ https://colorchestra.com/ 🌐 Learn more about Virtual Concert Halls: https://virtualconcerthalls.com/ 🎬 Production Credits Today’s broadcast was brought to you by the VCHS Production Team: Frane Rušinović • Ante Božić-Kudrić • Chris Au • Jennifer Wang • Marko Borna Torre • Krisztian Palagyi • Anna Ouspenskaya • Fedor Ouspensky • Igor Zubkovsky #DavidWroe #Conductor #Maestro #Tchaikovsky #SymphonyNo5 #OrchestralMusic #ClassicalMusic #MusicDirector #ArtistInterview #SteveRobinson #MMAGArtistSpotlight #SoundEspressivo #VirtualConcertHalls Reproducir video Reproducir video 28:21 Magnificent Nine! Beethoven Symphony No. 3 Part 7 Continuing with our series of programs dedicated to Beethoven's Nine Symphonies. Today, Anna Ouspenskaya and Chris Ka Long Au explore Symphony No. 3. After watching part of the film, stay tuned for an engaging discussion. Beethoven’s Third Symphony, Eroica, marks a decisive break from Classical convention. Monumental in scale and ambition, it expands sonata form, intensifies harmonic tension, and treats thematic material with unprecedented developmental weight. The symphony is driven by bold rhythmic motives, abrupt contrasts, and a pervasive sense of struggle and transformation. Originally conceived in a heroic vein, Eroica presents not triumph alone but conflict, loss, and hard-won resolution, establishing a new model for the symphony as a dramatic and philosophical statement. More about Architects of Music: https://www.youtube.com/@thearchitectsofmusic BEETHOVEN’S UNIVERSE In this ongoing series, Lawrence Rapchak examines each movement of Beethoven’s symphonies, revealing their inner structures and illuminating the architecture of each complete work. No other program about Beethoven’s symphonies has been created in this fashion, and it is our hope to present all nine of these masterpieces in the coming months. To accompany the audio in each episode, the Virtual Concert Halls team has created a visually engaging experience. The visuals include composer portraits, full scores and piano reductions with highlighted passages, performance photos, landscapes to support the narrative, and curated images of Beethoven himself. Created by New Media Productions Worldwide and Virtual Concert Halls Written and Narrated by Lawrence Rapchak Audio Producer & Mix Engineer: Steve Robinson Movie Director: Anna Ouspenskaya Assistant Director & Storyboard: Frane Rušinović Animation, Motion Graphic & Design: Miro Dobrović (dPhoto Studio) Audio Engineer: Eric Arunas Video Editing: Frane Rušinović, Miro Dobrović, Igor Zubkovsky Music: Nicolaus Esterhazy Sinfonia, Bela Drahos, conductor (Naxos Records) Script content copyright © Lawrence Rapchak, 2021 Reproducir video Reproducir video 00:17 The Power of Many Cellos 🎻 Bow Lightlys Ensemble | #vchs #soundespressivo #cello Experience the beautiful sound of the Bow Lightlys Cello Ensemble, directed by John Kaboff. Rich harmonies, expressive playing, and the unique warmth of the cello come together in this inspiring performance. This video is an excerpt from our Sound Espressivo Gala Concert, celebrating outstanding musicians and ensembles from around the world. #BowLightlys #JohnKaboff #CelloEnsemble #Cello #ClassicalMusic #MusicShorts #YouTubeShorts Reproducir video Reproducir video 03:50 Official Aftermovie of the Sound Espressivo Gala Concert April 28 2026 Official Aftermovie of the Sound Espressivo Gala Concert Weill Recital Hall at Carnegie Hall • April 28, 2026 Experience unforgettable musical moments from the Sound Espressivo Gala Concert at the world-renowned Weill Recital Hall, featuring Orchestra Manhattan under the baton of David Wroe. This extraordinary evening brought together outstanding young artists, composers, and performers from around the world in a celebration of musical excellence, creativity, artistry, and international collaboration. Relive the highlights, inspiring performances, and remarkable atmosphere of this special concert in New York City. 🌐 Learn More Sound Espressivo Competition: [www.soundespressivocompetition.com](http://www.soundespressivocompetition.com) Virtual Concert Halls: [www.virtualconcerthalls.com](http://www.virtualconcerthalls.com) Facebook: Virtual Concert Halls Facebook Page 🎥 Production Team Frane Rušinović • Ante Božić-Kudrić • Jennifer Wang • Krisztián Palágyi • Anna Ouspenskaya • Katheryne Li • Fedor Ouspensky • Igor Zubkovsky #SoundEspressivo #OrchestraManhattan #DavidWroe #ClassicalMusic #Aftermovie #VirtualConcertHalls #YoungArtists #Piano #Violin #Composer #ConcertHighlights #MusicDocumentary #LivePerformance #NewYorkMusic #ClassicalArtists #ConcertFilm #SoundEspressivoGala #InternationalArtists #MusicalExcellence Reproducir video Reproducir video Official Aftermovie of the Sound Espressivo Gala Concert February 19, 2026 #soundespressivo #concert Natürlich — hier ist die Version mit den Namen der mitwirkenden Künstlerinnen und Künstler: Official Aftermovie of the Sound Espressivo Gala Concert Weill Recital Hall at Carnegie Hall • February 19, 2026 Relive the inspiring highlights of the Sound Espressivo Gala Concert, presented at the world-renowned Weill Recital Hall at Carnegie Hall. Featuring Orchestra Manhattan under the direction of conductor David Wroe, this memorable concert brought together talented young artists, accomplished performers, and composers from different parts of the world. Featured artists in this aftermovie include: Edison Barton • Violin Lydie Pace • Soprano Alexis Mingi Perrin • Piano Rita Costanzi Olivia Li • Piano Jennifer Savage • Piano Igor Zubkovsky • Cello Through a diverse program of remarkable performances, the evening celebrated musical excellence, creativity, dedication, and the power of international artistic collaboration. Discover the unforgettable moments, exceptional artistry, and unique atmosphere that made this concert such a special occasion. 🌐 Learn More Sound Espressivo Competition: [www.soundespressivocompetition.com](http://www.soundespressivocompetition.com) Virtual Concert Halls: [www.virtualconcerthalls.com](http://www.virtualconcerthalls.com) Facebook: Virtual Concert Halls Facebook Page 🎥 Production Team Frane Rušinović • Ante Božić-Kudrić • Jennifer Wang • Krisztián Palágyi • Anna Ouspenskaya • Katheryne Li • Fedor Ouspensky • Igor Zubkovsky #SoundEspressivo #OrchestraManhattan #DavidWroe #ClassicalMusic #OfficialAftermovie #VirtualConcertHalls #YoungArtists #InternationalArtists #Piano #Violin #Soprano #Cello #Composer #ConcertHighlights #MusicDocumentary #LivePerformance #NewYorkMusic #ClassicalArtists #ConcertFilm #SoundEspressivoGala #MusicalExcellence Reproducir video Reproducir video 18:25 MMAG – LAUREATE GALA: Artist Spotlight Cooper Ly Pianist Join us for a special episode of the MMAG Artist Spotlight Series featuring the outstanding young pianist Cooper Ly in conversation with renowned broadcaster Steve Robinson. Cooper Ly began studying piano at the age of five with Dr. Ji Hyun Kim and later had the opportunity to study with Professor Valerie Middleton at Vanderbilt University’s Blair School of Music. He has earned first prizes in numerous international piano competitions and has appeared in winners’ concerts at distinguished venues in the United States and Europe. Beyond the competition stage, Cooper has performed recitals for retirement communities, fundraising events, and special community programmes. His musical interests extend beyond classical piano to guitar and singing, while his enthusiasm for robotics, coding, engineering, reading, and swimming reflects his wide-ranging curiosity and creative spirit. In this exclusive interview, Cooper shares his musical journey, artistic inspirations, competition experiences, and the dedication required to develop as a young musician. He also discusses how curiosity, imagination, and learning beyond music contribute to his growth as a performer. Following the interview, viewers will enjoy featured performances of: 🎼 Wolfgang Amadeus Mozart: Piano Sonata in E-flat Major, K. 282 — Third Movement 🎼 Ignacy Jan Paderewski: Menuet, Op. 14, No. 1 🎼 Robert Muczynski: Fable No. 1 🎧 About Steve Robinson Steve Robinson is a veteran American radio executive and producer, known for his leadership at WFMT Chicago, WBUR, WGBH, WCRB, and other major public broadcasting organizations. Through these conversations, he helps audiences connect with the stories behind today’s remarkable artists. 🌍 Learn more about Cooper Ly: https://www.musguild.com/cooper-ly 🌍 Learn more and apply: https://www.soundespressivocompetition.com/ https://colorchestra.com/ 🌐 Learn more about Virtual Concert Halls: https://virtualconcerthalls.com/ 🎬 Production Credits Today’s broadcast was brought to you by the VCHS Production Team: Frane Rušinović • Ante Božić-Kudrić • Chris Au • Jennifer Wang • Marko Borna Torre • Krisztian Palagyi • Anna Ouspenskaya • Fedor Ouspensky • Igor Zubkovsky #CooperLy #YoungPianist #ClassicalPiano #Mozart #Paderewski #Muczynski #PianoPerformance #YoungMusician #ArtistInterview #SteveRobinson #MMAGArtistSpotlight #SoundEspressivo #VirtualConcertHalls Reproducir video Reproducir video 04:08:15 Rehearsals with New York Chamber Players Orchestra - Session 2 Be a part of unique experience observing the backstage preparations by the soloists and the orchestra, for the upcoming Laureates Gala at the Weill Recital Hall at Carnegie Hall! For more information about the Gala, a full program, and to reserve seats visit: https://www.soundespressivocompetition.com/carnegie-hall-auditions Rehearsed at Shrine Church of Our Lady of Mount Carmel in New York City. Program: Eymen Geylan, piano Johann Sebastian Bach – Concerto in D Minor (I. Allegro) Alize Liana Chapman, piano Isaak Berkovich – Piano Concerto No. 2, Op. 44 (II. Andante con moto; III. Allegro assai) Konstantin Lapshin, piano Joseph Haydn – Concerto in D Major, Hob. XVIII/11 (II. Adagio; III. Rondo all’Ungarese) Jennifer Kayner Honan, soprano Gustave Charpentier – “Depuis le jour,” from Louise Laura Ansaldi, soprano Giuseppe Verdi – “Vieni, t’affretta,” from Macbeth Giacomo Puccini – “O mio babbino caro,” from Gianni Schicchi Deirdre Lobo, soprano Wolfgang Amadeus Mozart – “Deh vieni, non tardar,” from Le nozze di Figaro Jules Massenet – “Il est doux, il est bon,” from Hérodiade Alessandra Cuffaro, violin Franco Mannino – Concerto No. 2, Op. 447 (III. Presto) Daniela Katherine Herrera Garcia, cello Alberto Ginastera – Pampeana No. 2, Rhapsody for Violoncello and String Orchestra Hally Graves, soprano Charles Gounod – “Je veux vivre,” from Roméo et Juliette Giacomo Puccini – “Vissi d’arte,” from Tosca Bruce Ru, conductor Ludwig van Beethoven – Symphony No. 1 (I. Adagio molto – Allegro con brio) Amanda Smith, oboe Franz Krommer – Oboe Concerto No. 2, Op. 52 (I. Allegro) Jessica Lyn, piano Georgs Pelecis – Concertino Bianco This program is brought to you by Virtual Concert Halls, in collaboration with Sound Espressivo, and Orchestra Manhattan. We thank all artists, technical staff, and administrator, for helping make this program possible! About the Gala Auditions: When you apply to the Sound Espressivo Gala Auditions, you're treated as a complete artist. You choose your own repertoire. You're interviewed to connect with audiences on a personal level. You receive live feedback from world-class judges — often like a mini masterclass. Our programs aim to present you not only as a performer but as a fully-formed artist and individual. 🌍 Learn more and apply: https://www.soundespressivocompetition.com/carnegie-hall-auditions https://www.soundespressivocompetition.com/ https://colorchestra.com/ ________________________________________ 🎬 Production Credits Today’s broadcast was brought to you by the VCHS Production Team: Frane Rušinović, Ante Božić-Kudrić, Chris Au, Jennifer Wang, Marko Borna Torre, Krisztian Palagyi, James Welch, Anna Ouspenskaya, Anastasia Sydorenko, Fedor Ouspensky, and Igor Zubkovsky. 🌐 Learn more about Virtual Concert Halls: https://virtualconcerthalls.com/ _____________________ Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/5795539540770816 Sound Espressivo 2021 Reproducir video Reproducir video 57:31 "How to be a courageous musician" | Avguste Antonov Hosted by Sound Espressivo Competition Judge and co-host: Chris Au In this broadcast, we explore how to be courageous as a musician not only in your artistry but in the business side of being a professional. This is something that's very admirable and respectable about Avguste Antonov - his tenacity, perseverance, sincerity, and dedication to making sure his career is forged by him. Check out his website at www.avgusteantonov.com This is a series curated by Virtual Concert Halls for the 2021 Sound Espressivo Global Competition. For more information on application, visit our website at www.soundespressivocompetition.com ______________________________ Born in Bulgaria, Avguste Antonov studied piano in Bulgaria (Dobrich), France (Ecole Normale de Paris, Conservatoire de Bordeaux Jacques Thibaud) and the United States (2000: University of Missouri-Kansas City; 2001-2004: University of Kansas; 2006-2008: Texas Christian University). He studied under the guidance of Alain Motard, Herve N'Kaoua, Robert Weirich, Stanislav Ioudenitch, Jack Winerock and Tamas Ungar. Avguste Antonov also had the privilege of taking masterclasses with Gerhard Oppitz, Jean-Claude Pennetier, Olivier Gardon, Grigory Sokolov, Olga Kern, Laure Favre Kahn, Anton Nel, Roman Rudnytsky and Yoheved Kaplinsky. In addition to performing, Avguste Antonov is active as lecturer and has presented lectures for the Carrollton Music Teachers Association, Frisco Music Teachers Association, Kansas Music Teachers Association, Oklahoma Music Teachers Association, Wisconsin Music Teachers Association and the Colburn Piano Summer Festival. He is an adjudicator for various international competitions including the ENKOR Piano Competition, the Sound Espressivo Global Competition , the Music International Grand Prix, North American Virtuoso International Music Competition, Royal Music Indonesia 2021, Grand Maestro International Music Competition and World Classical Music Awards In 2021, Avguste Antonov was named on the advisory board of the Sound Espressivo Global Competition. Reproducir video Reproducir video 33:31 Sound Espressivo Experience Sound Espressivo is a competition EXPERIENCE created by a community of musicians, music educators, music managers. Our purpose is to make a difference for young musicians, for teachers, parents of music students. We are here to EMPOWER with new tools, ENRICH with new mindset, EXPAND horizons of what's possible, what it takes for a modern artist to create joy and success. Many aspects of the Competition are very new, learn what they are and i may fit your vision. Immediate feedback from Judges Internet TV live performance on a virtual stage Live interactions Prizes designed to keep giving more experience and opportunities for performance and study Opportunity to connect with likeminded people and form long lasting collaborations Apply by November 30 https://www.soundespressivocompetition.com/home Reproducir video Reproducir video 32:38 A Conductor's Perspective | Massimiliano Donninelli "What's the relationship between Traditional and New Repertoire?" Maestro Massimiliano Donninelli is an esteemed member of the 2021 Sound Espressivo Global Competition. He will be speaking with us about his perspective as a conductor on traditional and new music. This promises to be a fascinating discussion! Apply now for the 2021 Sound Espressivo Global Competition at www.soundespressivocompetition.com ___________________________________________________ Massimiliano Donninelli represents one of the best performers of his generation. Since the beginning of his career he has dedicated himself to contemporary music, considered as privileged to live in his time and to immerse himself in the repertoire of Tradition. As a conductor of a classical and modern repertoire he has collaborated with prestigious festivals in Italy, France, Germany, Spain, Slovenia, Croatia, Portugal, United Kingdom, United States, Switzerland, Austria, Finland, Holland, Canada, Serbia, Moldova, Greece . He has collaborated with prestigious artists such as Luciano Berio, Valeria Moriconi, Brett Deubner and many others, conducting the orchestra as the Bel'Arte Orchestra (Paris), Southern Illinois Symphony Orchestra, National Philharmonic Orchestra "Serghei Lunchevici", National TeleRadio Orchestra - Moldova, National Choir "Moldova". At the same time, he dedicates himself to the composition and his works are performed in Italy, Germany, Slovenia, France, Croatia, Brazil, Spain, United States, broadcast by RssSky, Rete A, Telequattro, RadioVaticana, RAI, United Nations Radio (Colombia), Discovery Channel, RadioShalom, RTVSlovenija (Koper). He has recorded for CBC, Rai, Rai-Slo, RNE, Rusty Records, Palomar Records, Radio-Moldova, RadioFrance. Massimiliano Donninelli is distinguished by a special interpretative sensitivity and dedication to the composer's idea through a deep and particularly respectful knowledge of the score. Reproducir video Reproducir video 01:44:12 Sound Espressivo presents "Judging Modern Competitions" Panel Discussion Music competitions often are a target of a lot of criticism. What is wrong with modern music competitions? How did the changes in music competitions scene over past 20-30 years affect the judging? What are the most common challenges for Judges? What are possible improvements and solutions? How does Sound Espressivo address the known issues? Apply by November 30 https://www.soundespressivocompetition.com/ Judging modern music competitions certainly is a different task from what it meant for artists and music educators 20, 30, or 50 years ago. Things changed, and the changes are dramatic. There are many more competitions nowadays than a handful of major ones which dominated the field back a couple of decade ago. There are many different formats, a huge variety of different sets of requirements, and an even larger variety of awards and other benefits which today's competitions offer. And surely there are many issues and challenges which all people involve must face and resolve when participating in a competition. That includes not only contestants but also the Judges and organizers. Today's Panel topics are centered around the challenges particular to judging modern music competitions. Moderated by Avguste Antonov, piano, France, Sound Espressivo Board member Panelists: Anzel Gerber, cello, Austria Pierre Beaudry, guitar, Canada Olivier Chassain, guitar, France Who are the panelists: Pianist Avguste Antonov is an adjudicator for various international competitions including the ENKOR Piano Competition , the Sound Espressivo Global Competition, the Music International Grand Prix , North American Virtuoso International Music Competition , Royal Music Indonesia 2021 , Grand Maestro International Music Competition and World Classical Music Awards In 2021, Avguste Antonov was named on the advisory board of the Sound Espressivo Global Competition He has performed all over the World. He premieres at venues across North America and over the years he has worked with composers Carter Pann, Gregory Hutter, Michael Colgrass, Raina Murnak, Matthew Lewis, Till Meyn, Matthew Saunders, Robert Rollin, William Vollinger and others. Cellist Anzél Gerber, is performing on internationally renowned stages as soloist and chamber musician. Her passion for teaching served as inspiration to obtain her PhD and to conduct post-doctoral research in the field of cello training for gifted young cellists in Asia, USA and Europe. She regularly presents master classes at universities and festivals Canadian guitarist Pierre Beaudry performs through the world. His extensive concert career takes him to Europe, North America, China and South East Asia, where his solo performances are acclaimed both by the public and the press. He has been on the music faculties of three universities in Quebec, Canada (Concordia, Bishop’s and Sherbrooke) He was recently appointed as professor of guitar at the Tiziano Rossetti International Music Academy in Lugano, Switzerland. French guitarist Olivier Chassain was born in Paris in 1957. Today, his triple professional activity makes him simultaneously lead a career as an active international concert performer, a career as composer who enjoys seeing his works performed and published, and a career as guitar teacher at the Conservatoire National Supérieur de Musique et de Danse de Paris (Cnsmdp) Reproducir video Reproducir video 01:04:17 Mira Kardan, cello - Sound Espressivo Laureates' Recital Program: Bach - Cello Suite No.4 in E-flat Major, BWV 1010 4:11 Allemande 7:06 Courante 9:31 Sarabande 12:15 Gigue 18:17 Beethoven - Sonata in A Major, Op. 69 (I. Allegro ma non tanto) 33:53 Tchaikovsky - Pezzo Capriccioso, Op. 62 41:29 Pablo Casals - Song of the Birds 44:19 Sulkhan Tsintsadze - Chonguri (from Five Pieces on Folk Themes) Accompanied by Micah Yui, piano Fourteen-year Mira Kardan attends the Colburn School where she studies with acclaimed cellist Clive Greensmith. She began her cello studies in the Colburn Community School with Nancy Yamagata at age five. Mira has attended summer programs including the Heifetz Institute and Indiana University’s Summer String Academy. At the Colburn School, Mira has served as principal cello of the Community School’s String Orchestra and has been selected to play on the bi-annual Honors Recital. Additionally, her piano trio was chosen as for the School’s Honors Chamber Ensemble program. Her trio has won first place on two occasions in the regional division of MTAC’s VOCE competition. Now a member of Colburn’s prestigious Music Academy for gifted young artists, Mira participates in a comprehensive program of musical studies that include music theory, history, lessons and ensembles. Additionally, Mira has had the opportunity to study cello and chamber music with Hans Jensen, Amir Eldan, Peter Stumpf, Fabio Bidini, Susan Moses, and the Calidore Quartet. Mira is currently in the ninth grade at the Geffen Academy at UCLA. Her interests include reading, writing, and listening to music of all genres. She also enjoys travelling and experiencing new international cuisines. Mira lives in Los Angeles with her parents and beloved rescue dog, Daisy. Please support musicians and this concert series here: https://www.paypal.com/paypalme/vchs20 Reproducir video Reproducir video 50:37 News from Sound Espressivo past Winners Join us for Interviews with exciting news from Sound Espressivo past Winners! Learn what happened is their music journey and life since 2020 when they impressed the International Panel of SEC Judges and received highest honors at the First Sound Espressivo Competition. Please post your comments and questions! We will bring them on screen for our guests to respond Apply by November 30 https://www.soundespressivocompetition.com/application Learn more about past Winners https://www.soundespressivocompetition.com/2020-laureates-and-winners Reproducir video Reproducir video 30:22 Prizewinners: One Year Later | Yerko Difonis & Artem Kopylov | Hosted by Chris Au What have our fantastic prizewinners been up to this year? What kind of projects have they started to work on? Find out what has been inspiring them since their success at the 2020 Sound Espressivo Global Competition! Apply by November 30 at www.soundespressivocompetition.com for our 2021 edition of the Sound Espressivo Global Competition! ______________________________________________ Yerko Difonis is the first student born blind and partially deaf to pursue a master of music degree in piano performance at Mason Gross School of the Arts (MGSA). He has primarily used braille to learn music and it is an incredible pleasure to hear him play. Difonis’s family emigrated to the United States in 2000 on a temporary visa in search of educational resources for their son. They lived in New Jersey, then Brooklyn, N.Y., and finally Staten Island, N.Y. While in Brooklyn, they were connected with Lighthouse International, now Lighthouse Guild, where he was a member of the children’s program. Difonis learned Braille and enrolled in the Filomen M. D’Agostino Greenberg Music School for those with vision loss. ___ Young Steinway Artist Artem Kopylov is an avid music ambassador, and is currently studying with Prof. Olga Chichova, one of the most celebrated and sought-after teachers in Toronto. A recipient of the Canadian Young Artist Standards of Excellence Awards Winner Notice, Artem is a winner of numerous national and international competitions for young pianists, performing with symphony orchestras in Toronto, Burlington, Moscow, and others. He is a first prize winner and laureate of the Steinway and Sons (New York City), GOCAA (Boston), 18th Nutcracker (Moscow) piano competitions, and others. Artem’s performances have been broadcast on Canadian national television by CBC and Radio-Canada. He has participated at festivals in Italy, Switzerland, Germany, Canada, U.S.A., Russia, and has taken master classes with prestigious pianists, including Dmitri Bashkirov, Marina Mdivani, Akiko Ebi, André Laplante, Bernd Goetzke, Bernd Glemser, Boris Petrushansky, Grigory Gruzman, Pavel Nersessian, Valeri Piasetski, and Stanislav Igolinsky. He has given recitals in halls such as Carnegie, Boston Conservatory, Tchaikovsky, Shanghai Symphony Orchestra, and others. Reproducir video Reproducir video 48:58 Mio Imai, violin - Sound Espressivo Laureates' Recital Accompanied by Mark Livshits, piano 3:16 Lalo - Symphonie Espagnole (I. Allegro non troppo) Bach - Violin Concerto in A minor, BWV 1041 10:56 Allegro 14:33 Andante 20:19 Allegro assai 24:04 Paganini - Caprice No. 9 27:29 Michael Daugherty - Viva for Violin 31:55 Grigoras Dinicu/Jascha Heifetz - Hora Staccato 37:52 Interview with Mio Imai Violinist Mio Imai (10), student of Kimberly Fisher, won in various competitions and made solo orchestra debut at age 9. She was nominated as finalist in the 2020 Philadelphia Orchestra Albert M. Greenfield Competition. Please support musicians and this concert series here: https://www.paypal.com/paypalme/vchs20 Reproducir video Reproducir video 00:46 Sound Espressivo Global Competition Sound Espressivo 2nd Online Global Music Competition Apply by 11/30 https://www.soundespressivocompetition.com/home Empowering Tomorrow's Musician Deadline: November 30, 2021 Inviting individual musicians and groups Submit video or schedule live audition Video submissions accepted for Preliminary Round only Check dates for Preliminaries Three Rounds Semifinals and Finals - LIVE Internet TV broadcast. Perform from your own location Semifinals - December 16-19, 2021 Finals - January 29-30, 2022 Win performance opportunities from concert organizers. Scholarships, career training, web design, video trailers, casting, photo studies; participation in festivals, masterclasses, interviews, and much more. 40-Judges panel, internationally acclaimed artists from major conservatories, orchestras. Immediate live feedback from 6-judges panels, get comments from conductors, instrumentalists, composers Be heard, be visible! SEC Internet TV reached over million people around the globe in 2020 Sound Espressivo-2020 contestants represented over 70 schools and teachers from every continent Would you like your student to be featured in a solo recital like this provided as one of Prizes for SEC Laureates? https://youtu.be/YzS0gKlPTRA Wonder how the "immediate feedback" looks and feels? Here is a short clip from last year's Sound Espressivo Finals https://youtu.be/_Cz1n8-4-Kk What people say… https://fb.watch/8cRp0o4WUn/ https://www.soundespressivocompetition.com/home Reproducir video Reproducir video 33:22 Sound Espressivo Judges | Emil Chudnovsky: "Back to Beethoven" "Back to Beethoven" | Emil Chudnovsky | Co-Host: Chris Au We are delighted to have Emil Chudnovsky on our show who is one of the 2021 Sound Espressivo Competition Judges. We will have a lovely conversation about concertising, competitions, and his upcoming concert of the Beethoven Violin Concerto with the Manassas Symphony Orchestra at the Hylton Performing Arts Center. Apply by November 30 for your opportunity to win from prizes worth $100,000. No time limits, no repertoire requirements, immediate feedback from Jury - head to www.soundespressivocompetition.com _____________________________________ Emil Israel Chudnovsky hearkens back to the grand romantic tradition of the golden age of violinists. His lush sound and inimitable ability to connect with audiences have garnered him accolades from listeners, presenters and critics alike. Recent seasons have been full of firsts, including his debut this season at the Seoul Arts Center in South Korea with the KammerSymphonie Berlin, and his recent inaugural recording with the St. Petersburg Symphony Orchestra. Equally notable benchmarks include Chudnovsky’s debut with the Orquesta Filarmónica de Jalisco in Mexico, when he replaced an indisposed soloist for a previously unknown concerto on ten days’ notice. A veteran of the competition circuit, Chudnovsky is the winner of top prizes from nine international competitions. He holds 1st Prize from the XI International Curci Violin Competition (Naples), 1st Prize from the Young Artists Competition of the National Federation of Music Clubs and, most recently, 1st prize from the Valsesia-Musica International Violin Competition (Milan). Twice a laureate of the “Premio Paganini” International Competition, he also holds 2nd Prize from the D’Angelo International Competition, as well as awards from the Rodolfo Lipizer, Szeryng and Enescu international competitions. Chudnovsky began concertizing at the age of eleven with a solo performance on Uruguayan television and in concert with the Montevideo Chamber Orchestra. The same year, he was featured in a series of live radio broadcasts from the Mostly Mozart Festival in Grahamstown, South Africa. Since then, Chudnovsky has performed to great critical acclaim all over the world, having toured extensively in Europe, Asia, North and South America. Emil Chudnovsky was born in Moscow, Russia to renowned violinist Nina Beilina and the late eminent opera conductor, Maestro Israel Chudnovsky. Chudnovsky plays on a copy of the ex-Joachim del Gesu made for him in July 2010 by Howard Needham. Reproducir video Reproducir video 45:23 Sound Espressivo Judges series, Olivier Chassain, guitar, France What is the MOTIVATION of both competitors and Judges in taking part and advantage of Sound Espressivo's concept and originality? Building relationship between musicians from all other the world: a great new way of sharing between all of us! Apply by November 30 https://www.soundespressivocompetition.com/home Olivier Chassain was born in Paris in 1957. He began studying the guitar in Limousin with Roger Généraux and completed his training with Carel Harms. In 1977, he entered the Conservatory of Paris (the current Cnsmdp) where he obtained in 1982 a first prize for guitar in the class of Alexandre Lagoya; he was also awarded a prize for counterpoint (class of Bernard de Crépy) and a prize for harmony (class of Roger Boutry). Today, his triple professional activity makes him lead simultaneously: a career as a concert performer, which took on an international dimension when he won the first prize in the "Guitar Foundation of America international competition" in 1988, thus becoming the first non-American guitarist to receive the highest distinction of this competition worldwide renamed. The following year (in 1989) he made a major tour organized by the GFA, across the entire North American continent: he was invited there regularly for concerts and master-classes, as well as on other continents. a career as a composer: he is the author of numerous works, in particular for guitar, such as: “ Fantastic echoes ” i n memoriam I. Presti and A.Lagoya , “ Etoiles ”, “ Arion ”, “ De loin en loin ”, sonata for two guitars (1995), “ Doigts de fées ” (2010) for flute and guitar, sonata for solo guitar (2011)…, and educational collections such as “ Patchwork ”, “ Ad hoc ”, “ Brèves de lectern ”(2012)… a teaching career which took off in Orléans in 1978, following his first teacher, Roger Généraux (he was established after obtaining his CA at the age of 21), and which saw its accomplishment when he was appointed in 1992 at the Jacques Thibaud Conservatory in Bordeaux, then in 1994 to succeed his master Alexandre Lagoya, as guitar teacher at the Paris National Conservatory of Music and Dance (Cnsmdp), where he still teaches today. Olivier Chassain regularly leads, in addition to his conservatory lessons, instrumental improvement sessions within the framework of festivals, summer academies, as was notably the case in Dordogne from 1995 to 2010, at the Britten school in Périgueux directed by Jean-Jacques Rouveroux: this institute organized ad hoc courses throughout the year in all musical disciplines, and called on internationally renowned artists. Olivier Chassain thus had, for his summer internship, the opportunity to invite many friends, renowned guitarists, such as J. Cogan, N. Koshkin, SI. Fukuda, B. Kanengiser, D. Bogdanovic, SE Olsen, F. Zigante, L. Blanquart, H. Navez, Jim Smith. Since 2010, it has been organizing new sessions in Limousin, throughout the year. Olivier Chassain's repertoire displays a great eclecticism, from the Renaissance to the music of today. Passionate about early music, he has also devoted himself to the lute and the vihuela for many years, in order to transmit through this privileged approach the sound and the spirit of this music. He is also fond of French music from the Grand Siècle and romantic music, which he plays alone or in the company of eminent artists such as P. Gallois, Ph. Muller, P.-H. Xuereb, R. Pidoux, E. Aubier, F. Pierre, G. Millière ... Ardent defender of contemporary creation, Olivier Chassain is the dedicatee of numerous works for guitar (Stephen Dodgson, Antonio Ruiz-Pipo, Thierry Pécou, Sean Heim) and of concertos: "Escales" by Roland Creuze: created in Bordeaux with the ensemble Musique Nouvelle and Michel Fusté-Lambezat, as well as that of Edith Lejet, "Flowers in the shape of diamonds", from the concerto by Alain-Michel Riou, and more recently by Alain Margoni. Olivier Chassain has made several records, under different labels, including "Almost a song" (Metronome recordings) which was crowned with the "Choc" of the World of Music, and "Eventail" by the review Classica. An album devoted to the complete compositions of Ida Presti - the world's first recording -, in duet with the Norwegian guitarist Stein-Erik Olsen, received a rave reception from music critics (ranked in the 'top 5' of the 10 best albums classics of 2009 in Scandinavia), under the Simax label. Several other recordings are in the pipeline, including a second album with his friend SE Olsen, for the Simax label, in a repertoire of original works dedicated to the Duo Presti-Lagoya. Reproducir video Reproducir video 43:59 Simon Yao, piano - Sound Espressivo Laureates' Recital Program: Bach - French Suite No.6 in E major, BWV 817 3:37 Allemande, 5:06 Courante 6:02 Gigue 7:51 Schubert - Impromptu in E-flat Major, Op. 90 No. 2 13:17 Chopin - Fantaisie-Impromptu in C-sharp minor, Op. 66 19:11 Alyabyev/Liszt - Nightingale 24:19 Prokofiev - Prelude in C Major, Op. 12 No. 7 "The Harp" 27:05 Debussy - Jardins Sous La Pluie (Gardens in the Rain), from Estampes Simon Yao, 9 years old, is a fourth-grade student from Southern California. He began playing piano at the age of 6. Simon attends the Colburn School where he studies with Jeffery Lavner. Simon has won MTAC’s Contemporary Festival Competition for two consecutive years since participating in 2019. He was the laureate and first place winner in the 2020 Sound Espressivo Global Competition. In January 2021, he won the 1st prize in Russian Souvenir International Youth Piano Competition. At the Colburn School, Simon has made frequent appearances at the Friday Night Recitals as one of the youngest performers. As a recipient of the President’s Volunteer Service Award, he also enjoys being engaged in bringing the gift of music to the community. Please support musicians and this concert series here: https://www.paypal.com/paypalme/vchs20 Reproducir video Reproducir video 32:37 A Conductor's Perspective | Massimiliano Donninelli "What's the relationship between Traditional and New Repertoire?" Maestro Massimiliano Donninelli is an esteemed member of the 2021 Sound Espressivo Global Competition. He will be speaking with us about his perspective as a conductor on traditional and new music. This promises to be a fascinating discussion! Apply now for the 2021 Sound Espressivo Global Competition at www.soundespressivocompetition.com ___________________________________________________ Massimiliano Donninelli represents one of the best performers of his generation. Since the beginning of his career he has dedicated himself to contemporary music, considered as privileged to live in his time and to immerse himself in the repertoire of Tradition. As a conductor of a classical and modern repertoire he has collaborated with prestigious festivals in Italy, France, Germany, Spain, Slovenia, Croatia, Portugal, United Kingdom, United States, Switzerland, Austria, Finland, Holland, Canada, Serbia, Moldova, Greece . He has collaborated with prestigious artists such as Luciano Berio, Valeria Moriconi, Brett Deubner and many others, conducting the orchestra as the Bel'Arte Orchestra (Paris), Southern Illinois Symphony Orchestra, National Philharmonic Orchestra "Serghei Lunchevici", National TeleRadio Orchestra - Moldova, National Choir "Moldova". At the same time, he dedicates himself to the composition and his works are performed in Italy, Germany, Slovenia, France, Croatia, Brazil, Spain, United States, broadcast by RssSky, Rete A, Telequattro, RadioVaticana, RAI, United Nations Radio (Colombia), Discovery Channel, RadioShalom, RTVSlovenija (Koper). He has recorded for CBC, Rai, Rai-Slo, RNE, Rusty Records, Palomar Records, Radio-Moldova, RadioFrance. Massimiliano Donninelli is distinguished by a special interpretative sensitivity and dedication to the composer's idea through a deep and particularly respectful knowledge of the score. Reproducir video Reproducir video 01:14:23 Sound Espressivo Competition presents the 1st Prize Winners of 2020 edition Avagail Hulbert, violin 3:55 Vieuxtemps - Violin Concerto No. 5 in A minor, Op. 37 (I. Allegro non troppo) 14:39 Mozart - Adagio in E Мajor, Оp. 125 No. 2 Accompanied by Wan-Chi Su Ka Long Chris Au, piano 32:45 Schubert - Impromptu No. 1 in F minor, Op. posth. 142, D.935 46:38 Rachmaninoff - Etude-Tableaux in F-sharp minor, Op. 39 No. 3 52:10 Rachmaninoff - Prelude in E-flat Major, Op. 23 No. 6 Please support musicians and this concert series here: https://www.paypal.com/paypalme/vchs20 Reproducir video Reproducir video 56:11 Sound Espressivo Competition presents the 1st Prize Winners of 2020 edition Please support musicians and this concert series here: Paypal.me/vchs20 2:20 Maria Narodytska Schubert/Liszt - Erl King A pianist of Ukrainian origin, Maria Narodytska is a winner of more than 40 international piano competitions. Maria holds a Master of Music degree from Tchaikovsky National Music Academy of Ukraine which she graduated from as a pianist (Prof. Natalia Tolpygo) and as a composer (Prof. Iryna Aleksiychuk). In 2019 an album with Maria Narodytska playing Brahms was released under the label OnClassical for further worldwide distribution by Naxos of America. Her second album for Nationalux as a winner of “The most beloved artist” prize at Richter International Piano Competition is being prepared for release at the moment. Website: maria-narodytska.de 12:28 Joseph Yoon Haydn - Sonata in F Major, Hob.XVI:23 (I. Allegro) Joseph J. Yoon, 10, started playing piano at age 7 and is currently a student of Dominique Shim. Joseph has won numerous awards for both national and international, classical piano music competitions, and is passionate about introducing music to other people. https://www.youtube.com/channel/UCzd6Dv3C3FIZbBg84pXjQTA 22:32 Ukki Sachedina Liszt - Variations on a Basso Continuo from Bach's Cantata “Weinen, Klagen, Sorgen, Zagen” Ukki Sachedina, 15, studies with Mr. Jeff Lavner at the Colburn School. Ukki has won national and international awards and his performances have been featured on WXQR public radio as well as in the New York Concert Review. https://www.youtube.com/channel/UCzz3Aa2x3lyZ81rZgG0kH6A 44:24 Matthew Brand Milhaud - La cuisine (Cooking), from La muse menagere, Op. 245 Matthew Brand - Reaching, Mischief Matthew Brand was born in New York and has been playing piano for 7 years. He attends Horace Mann School. Matthew studies classical piano with Donna Weng Friedman and composition with Dr. Steven Sacco at Mannes College of Music (Honors). He is a member of the Mannes Prep Jazz Ensemble. Matthew studied jazz at Interlochen with Leonard Foy and Xavier Davis. A winner of numerous completions and honors for his piano technique and original compositions, Matthew has performed at Steinway Hall, Weill Recital Hall at Carnegie Hall and Jazz at Lincoln Center. He is thrilled and honored to have this opportunity to perform in the Winner’s Recital for Sound Espressivo. Please support musicians and this concert series here: https://www.paypal.com/paypalme/vchs20 Reproducir video Reproducir video 30:52 "Things You Need to Know Before Performing on Livestream" | Fedor Ouspensky 2021 Sound Espressivo Competition Directors and Producers present: How to best prepare for livestreaming your performances online! Fedor Ouspensky | Co-Host: Chris Au We present a competition that is on the Virtual Stage - all live and broadcasted on the major streaming platforms. We provide a Tech Check, comprehensive guides to share the best sound over the online platform, and all the necessary support you need so you can feel comfortable performing. Apply by November 30 at www.soundespressivocompetition.com ___________________________________ Fedor Ouspensky was born in 1996 to a family of professional musicians. He started taking violin lessons at the age of 5 and a half with Olga Khroulevitch at the Levine School of Music in Washington, DC, moving later to Peter Sirotin and then to Rafail Sobolevsky and Oleg Rylatko, concertmaster of the Washington National Opera House Orchestra in Washington D.C. He studied with Naoko Tanaka at the Juilliard School, Oleg Rylatko at National Symphony Orchestra Fellowship program, and with Aaron Rosand privately. He also studied conducting with Maestro Mark McCoy and Maestro Glaser. Fedor is a devout promoter of classical music: in 2009 he became one of the founding performer-members of Arts Are For All Ages, a non-profit organization in Washington DC area, which provides classical music concerts to retirement communities. The organization’s membership consists mainly of high school young musicians, who volunteer their performances, and has grown to over 50 active performer-members and is providing about 70 concerts per year. Teaching young musicians is another of Fedor’s passions: he has taught students of different ages and levels, he also coached young violinists in preparation for youth and school orchestra auditions. Fedor loves methodical approach to teaching, and he has built a system of individual plans and written follow-up assignments which he gives to his students to help them make better use of their practicing time. At the age of 8, Fedor was invited to perform an Accolay concerto with McLean Youth Symphony Orchestra, since then he appeared as a soloist performing concertos with Loudoun Symphony Orchestra in Virginia, Bachanalia Chamber Orchestra in New York City and Capitol City Symphony in Washington DC. Fedor had attended Russian Embassy School, Cooper Middle School and South Lakes HS. He finished 3 years at the Juilliard School in New York City, NY. Fedor Ouspensky is the Creative Producer at Virtual Concert Halls and has been a Producer and Director of Sound Espressivo Competition Broadcasts and Live Rounds since 2020. Reproducir video Reproducir video 53:41 "There is nothing healthy or positive about competitions" Is this true? We started our 8am Broadcasts with the question of “How to choose competitions?” and we end our series of 8am Broadcasts by debating the validity, utility, and necessity of competitions. Are there too many? Is it just a money-making machine? Are we making sport out of music? Is Chopin rolling in his grave realizing his music is being used for competitions? www.soundespressivocompetition.com “There is nothing healthy or positive about competitions” “Beethoven would be rolling in his grave if he knew his music was being used in contests” “Music should not be used as pit musicians against one another” Do you agree with these statements? These are some of the things we’ll be discussing today at the Virtual Concert Halls Live Show Reproducir video Reproducir video 13:39 Sound Espressivo announcing a new Scholarship Prize This Prize is a full scholarship to experience an immersive introduction to conducting, from first taste of a baton, to a spot on a podium conducting an orchestra. A Sound Espressivo Finalist who will be chosen to receive this Prize will have an opportunity to work with a prominent conductor over a period of several months, after which s/he will have an opportunity to conduct a professional symphony orchestra. This Prize is established by Ouspensky Family Fund with a purpose to help young musicians be introduced to conducting, and to discover new talents through the experience, the way Russian conductor Michail Ouspensky was discovered by Yuri Ahronovitch, a great Russian-Israeli conductor of the XX century https://yuriahronovitch.com/ Tune in to learn more about Michail Ouspensky and his story. To be considered for this and many other Prizes apply to Sound Espressivo Competition by November 30, 2021: https://www.soundespressivocompetition.com/home Reproducir video Reproducir video 27:30 Sound Espressivo - Who are the People? Introducing Dr. Angela Chan, Sound Espressivo Judge, piano, Canada. Sound Espressivo Competition created by a community of musicians, music educators, music managers, with a purpose to make a difference for young musicians, for teachers, for parents of music students. We want to EMPOWER musicians with new tools, ENRICH with new experiences and openminded thinking, EXPAND horizons of what's possible, what can work, what can be a source of joy and success for a performing artist of all ages in modern time. Apply by November 30 https://www.soundespressivocompetition.com/home Reproducir video Reproducir video 30:58 Sound Espressivo Judge | Michal Szostak, organ (Poland) In today's program we talk with organist Dr. Michal Szostak joining us from Warsaw, Poland, about his newly published book "The Organ as a source of Inspiration", and many other topics central to musicians and performing arts: Creativity and artistry Management of own artistic career Complex identities Creative personality, its features, its types Join us, post your comments and questions! Apply to Sound Espressivo by November 30 https://www.soundespressivocompetition.com/home Michał Szostak, organist, improvisator, researcher, born 1980 in Poland. Doctor of Musical Arts in Organ Performance (Fryderyk Chopin University of Music, Warsaw), studied in Poland, Italy (Pontificio Istituto Ambrosiano di Musica Sacra), and the UK (The Royal College of Organists). An international concert organist performing dozens of recitals annually in Europe, North America, South America, Asia, and Africa. His organological publications are issued regularly by prestigious organ magazines: British The Organ, Canadian Organ Canada, as well as American The Diapason and The Vox Humana. Member of The Royal College of Organists, London, The American Guild of Organists, and The Organ Historical Society, USA. The former Music Director and the Principal Organist at the Sanctuary of the Virgin Mary in Licheń Stary (the largest organ in Poland 157/6M+P). He recorded on CDs. Besides, he has completed Master’s and Ph.D. studies in the area of management (Leon Koźmiński University, Warsaw) and, as Associate Professor, works at Warsaw universities – University of Social Sciences and Collegium Civitas – where he conducts interdisciplinary research at the interface between art and management, as well as didactic activities. Website: www.michalszostak.org Cargar más

Laureate Gala Weill Recital Hall at Carnegie Hall Monday, April 1, 2 024, at 7:00pm EST Instrumentalists, Vocalists, Ensembles & Composers From Around the World Program Visit Carnegie Hall site for tickets for upcoming Gala concerts SOLO PERFORMANCES: Mike Raposo, Flute Matt Lepek, Oboe John DiSanto, Bassoon Christopher Koelzer, Piano Kate Shin, Piano Grace Cho, Piano Donna Lee, Mezzo-Soprano & Piano Kenneth Zhang, Violin Vintine Anrich, Violin James Greening-Valenzu ela, Piano Marin Vitas, Countertenor Ante Božić-Kudrić, Piano Giampiero Bugliarello, Piano Jacques-Pierre Malan, Cello Daniel Espen, Piano Glen Carter-Varney, Piano Elisabeth Möst, Flute Alisa Sadikova, Harp Patricio Cadena Perez, Guitar Laura McCormick, Piano CHAMBER ENSEMBLES: Boston String Academy The Lehner Quartet Bernard Vallandingham , violin Adina Vallandingham , violin Erika Gray, viola Igor Zubkovsky, cello Dates and Deadlines NEW COMPOSITIONS BY: Bernard Vallandingham, Leopold Brauneiss, Michael Chang, Ante Božić-Kudrić, Daniel Espen, Giampiero Bugliarello, Glen Carter-Varney, Anne de Boysson, Peter Dickson Lopez, Noam Faingold, William Toutant Gala Laureates INTERVIEWS WITH STEVE ROBINSON April 2 in New York City Steve Robinson is an American radio manager, producer and executive producer. He has held senior management positions with numerous American radio stations, including WFMT and the WFMT Radio Network/Chicago, WBUR/Boston, WGBH/Boston, WCRB/Boston, KPFA/Berkeley, WBGO/Newark, Vermont Public Radio and Nebraska Public Radio Network.ork. Robinson served as general manager of the statewide Nebraska Public Radio Network (1990-2000) and WFMT and the WFMT Radio Network from 2000 until October 2016. A 50-year radio veteran, he has produced programs ranging from classical music documentaries to public affairs programs and has directed over 100 on-air pledge drives. In 1984, he co-founded AIR, the Association of Independents in Radio, a service organization to assist independent radio producers in the United States. Robinson wrote AIR’s first two successful grants from the New York State Council on the Arts and the National Endowment for the Arts. James Adler Audience Favorite AWARD $250 "It is very important to have the audience participate in this competition! It engages the listener and encourages our wonderfully talented contestants. I am delighted to co-found the James Adler Audience Favorite Award for the Sound Espressivo Global Music Competition. Sit back, listen, enjoy -- and please vote!" ~James Adler, Pianist and Composer Photo: Frank Gimpaya Repertoire Artists from Around the World Sample Compositions from All Periods of Classical Music Kaleidoscope of Genres, Instruments, Ensembles Age is Not a Limitation of Artistry! Performers are Aged 7-80 Age Groups snd Categories iClassical Academy AWARDS iClassical Academy provides Recognition Awards to Winners and Participants of Carnegie Gala Auditions We believe that anyone, at any time, should have access to the wonderfully beautiful world of music Our mission is to provide new generations of musicians, from any part of the world, the possibility to improve their skills and enjoy a wide audience iClassical Academy is based in Switzerland iClassical Awards International Panel of Judges Judges provide immediate on-air feedback to participants during the Live Audition stage. To learn more about the Judges, and to see their bios click here Laureate Gala! OUR STORY Laureates' Journey to Performance in New York Cit y at Weill Recital Hall at Carnegie Hall Hosted by STEVE ROBINSON, the world renowned producer of classical music radio programs SEE FULL BROCHURE Carnegie Auditions Reproducir video Reproducir video 35:56 Announcing Winners of Auditions for Gala at Weill Recital Hall at Carnegie Hall Announcing Winners of Auditions for Gala at Weill Recital Hall at Carnegie Hall held live on our previous Broadcasts on April 29 - May 2, 2023 Musicians were auditioning for an opportunity to perform at the Weill Recital Hall at Carnegie Hall, in Gala concerts in New York City. The Gala Auditions are organized by Sound Espressivo, Progressive Musicians, and Virtual Concert Halls. Auditionees from many countries are seeking guidance and support from the Judges, through live comments which you will hear after each performance The Sound Espressivo Global Competition is an online, live-streamed competition. It combines a competition and live performance experience. Progressive Musicians is an organizer of many competitions and concerts at prestigious venues like Carnegie Hall. Virtual Concert Halls is an Internet TV broadcaster providing artists with a virtual stage and ability to reach audiences beyond the walls of conventional concert halls. The goal of these Auditions is to encourage, nurture, and reward musicians who are proactive about sharing their art and developing their careers. Sound Espressivo and Progressive Musicians together are providing opportunities for musicians to discover their unique artistic voice, take initiative, present themselves on their own terms, and carve out their own career paths. Thank you Judges! Gr 1 - Avguste Antonov. Masterclasses in Italy. Talent Summer Courses Gr 2 - Emil Chudnovsky Gr 3 - Vera Danchenko Gr 4 - Giacomo Franci Gr 5 - Giacomo Franci Gr 6a - Avguste Antonov Gr 6b - Avguste Antonov Gr 7 - Giacomo Franci Gr 8 - Giacomo Franci Gr 9 - Giacomo Franci Gr 10 - Avguste Antonov and Vera Danchenko Gr 11 - Gevorg Sargsyan and Emil Chudnovsky ~~~~~~~~~~~~~~ These public broadcasts are brought to you by Virtual Concert Halls: Anna Ouspenskaya, Igor Zubkovsky, Frane, Rusinovich, James Welch, Fedor Ouspensky, Ante Bozc-Kudric, Chris Au. These programs are offered to public free of charge. https://virtualconcerthalls.com/ https://www.soundespressivocompetition.com/ https://www.soundespressivocompetition.com/ Reproducir video Reproducir video 02:30:17 Laureates Gala Auditions Group 11 Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: Tuesday May 2 GROUP 11 12:00pm-2:00pm Recitalists Yiqun Zhao, Flute, United States 6:36 - Cecile Chaminade - Concertino for flute, Op. 107 Christopher Rocha, Piano, United States 17:54 - Chopin - Waltz in B Minor Op. 69 No. 2 Valerija Iljinaite, Voice (dramatic soprano), United Kingdom 25:20 - Tchaikovsky - Liza’s aria from queen of spades 29:50 - Rosephanye Powell - Dying from ‘Then, Here and Now’ Chinnawat Themkumkwun, Guitar, Austria 38:49 - Olga Amelkina-Vera (b. 1976) - Western Vista Vlad Krik , Composer/Pianist, Germany 1:01:49 - Vlad Krik - NEW AGE 2022 Marcio Candido, Violin, USA 1:14:41 - Paulo Bosisio Aboio - e Dança Negra for solo violin Sophie Lu, Cello, United States 1:33:40 - David Popper - Hungarian Rhapsody op 68 Janelle Bai, Piano, USA 1:47:30 - R. Shchedrin - A la Albeniz Francesca Bartolo, Voice (Mezzo-Soprano), London, United Kingdom 51:44 - G. Rossini - Cruda Sorte!….agio so per pratica Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Reproducir video Reproducir video 02:30:10 Laureates Gala Auditions Group 10 Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: Monday May 1 GROUP 10 9:00am-11:00am Recitalist Candidates Courtney Daniels and Narmina Sultanova, Voice, US 14:22 - S. Moniuszko - Halka's Aria Bruce Leto, Jr., Piano, United States 29:30 - Maurice Ravel - Valley of the Bells Anna-Thérèse Mehra, Piano, USA Liszt - Un Sospiro Jelena Stefanic, Voice/Soprano, Croatia 43:37 G. Puccini - La Boheme / Donde lieta, Mimi's aria Neel Perdue, piano, USA 2:05:26 - E. Grieg - Wedding in Troldhaugen 2:11:22 - F. Liszt - Consolations Patricio Cadena Perez, Guitar, France 1:25:37 - Francisco Tárrega - Recuerdos de la Alhambra 1:29:30 - Antonio Lauro - Valse N° 3 Jed Wei, Piano, USA 1:47:33 - Franz Liszt - Liebestraum no. 3 1:42:44 - Frédéric Chopin - Nocturne in C# Minor Venicia Rasmussen, Voice, Germany 56:40 - Mozart - Come scoglio , from 'Cosi fan tutte' 1:03:30 - Puccini - Un bel del vedremo, 'Madama Butterfly' Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Reproducir video Reproducir video 41:47 Laureates Gala Auditions Group 9 Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: GROUP 9 9:00pm-10:00pm Concertos and vocal works with ORCHESTRA Yiqun Zhao, Flute, United States Carl Philipp Stamitz - Flute Concerto in G major, Op.29 George Cheng, piano, U.S. 3:43 - Mozart - Concerto No.27 in B flat Major, K.595, III. Rondo Allegro Andrew Chukwuka Egbuchiem, Voice Countertenor, United States 24:50 - Antonio Vivaldi - Nel profundo cieco mondo 30:30 - George Fredrick Handel - Amor tiranno amor Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Reproducir video Reproducir video 01:30:54 Laureates Gala Auditions Group 8 Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: GROUP 8 7:00pm-8:30pm Concertos and vocal works with ORCHESTRA Joel Chen, piano, United States 8:03 - Mozart - Piano Concerto No 22, Movement 1 Susan Dantoni and Jan Koler, piano/cello, USA 16:43 - Faure - Elegy Susan - Dantoni and Cecelia Guerra, piano/soprano, USA 27:30 - Samuel Barber - St. Ita’s Vision Julio Reyes, Guitar, United States 34:08 - Antonio Vivaldi - Concerto in D Stacey Stofferahn, Voice, United States 47:40 - Lowe Finney - "Longing" Lori Qian, Piano, USA 56:08 - Beethoven - Concerto No. 2 Allegro con brio Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Reproducir video Reproducir video 01:18:57 Laureates Gala Auditions Group 7 Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: GROUP 7 5:30pm-7:00pm Concertos and vocal works with ORCHESTRA Elaine Sara Lim, Piano, United States 7:36 - Mozart - Piano Concerto in A Major K488, 3rd Movement Harry Chen, Piano, United States 24:26 - Kabalevsky - Piano Concerto No 3 (Youth Concerto) in D Major, 2nd Movement Louise Ting, Piano, USA 37:33 - J. Haydn - Concerto in C major Tristan Zhu, violin, United States Ludwig van Beethoven - Violin concerto in D Major, Mvt 1 Sofia Baturina, Piano, USA 57:10 - Saint Saëns - Piano Concerto No. 2 Olivia Zhang, Piano, United States 47:48 - Haydn - Concerto in D Major, Mvt III, Rondo all'ongharese-Allegro assai Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Reproducir video Reproducir video 01:28:58 Laureates Gala Auditions Group 6B Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Program: GROUP 6b 2:30pm-4:30pm Piano Recitalists Ximurong Zhai, Piano, Canada 10:53 - Charles Griffes - Fantasy Pieces - Scherzo Vignesh Rajagopalan, Piano, United States 20:36 - Mozart - Sonata No. 11 in A Minor,, K. 331 Tiger Stepinski, piano, USA 28:47 - Sergei Rachmaninoff - Etude OP 39 NO 6 Andrew Khayms, Piano, USA 36:15 - Chopin - Polonaise in D minor, Op. 71 No. 1 Daniel Lee, Piano/Composition, US 52:40 - Daniel Lee - Rise William Sun, Piano, US 1:01:02 - Fazil - Summer time Variations Bonnie Zhou, Piano, United States 1:11:10 - Michael Glinka - The Nightingale Variation Reproducir video Reproducir video 01:20:19 Laureates Gala Auditions Group 6A Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: GROUP 6a 12:00pm-2:00pm Piano Recitalists Jia Li, Piano, USA 10:48 - Chopin - Nocturne Op. 9. No. 2 in Eb Major 14:59 - Mozart - Rondo Alla Turca Maggie Chen, Piano, United States 21:37 - MacDowell - Witches Dance Kristina Henckel and Amanda Virelle, Piano Duo, United States 29:01 - Sergei Rachmaninoff - Barcarolle from Six Pieces Op. 11 Antian Jiang, Piano, Canada 41:20 - Franz Liszt - La Campanella in G-sharp minor Alexis Dyche, Piano, USA 52:02 - Frederic Chopin - Impromptu, Opus 29 56:03 - Aaron Copland - The Cat and the Mouse Erin Chen, Piano, United States 1:05:52 - Chopin - Fantaisie-Impromptu In C-Sharp Minor, Op. 66 Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Previous Gala videos The New York Chamber Players Orchestra under the baton of Maestro Giacomo Franci is featuring world class soloists from US, Europe, Canada, Asia Premieres of newly composed works; recital soloists, and ensembles. SPECIAL GUESTS Maestro Giacomo Franci Music Director of New York Chamber Players Orchestra Alexander Peskanov Pianist, Composer Steve Robinson Honorary Host James Adler James Adler Audience Favorite Award James Adler Audience Favorite Award Jennifer Wang Gala Staff Collaborative Pianist Jennifer Wang, piano is a pianist, professional accompanist and collaborator based in New York and the DC area as well as Program Coordinator and Administrator Assistant at the Summit Music Festival. She received her Master Manhattan School of Music, New York, Jennifer has won numerous competitions, both in solo and chamber, performing at the Kennedy Center in Washington, DC, Merkin Concert Hall in NY, Palazzo del Priori in Italy, DiCapo Opera Theater in New York, Embassy of Italy, Mexican Cultural Institute, Lyceum in Alexandria, featured on Cable TV: A Holiday Recital, the Grand Duchy of Luxembourg, Netherlands Embassy, Alden Theater Music Friends Concert, and the Kimmel Center in PA as well as giving a lecture-concert in Wuhan, China. Meet the Gala Performers

Learn about the competition categories of Awards for Sound Espressivo, the online LIVE streaming competition for classical musicians of all ages. Contestants and judges focus on unique artistry of every performer, awarding prizes offered by music management companies. SEC-2021 no ofrece premios en efectivo ¿Dónde brillarás? 9 Especial Premios Artísticos Programa ¡Prepara una colección de música con un mensaje y exprésate dedicándote a un tema! Aprende más Miniatura ¡Presenta una pieza musical pequeña pero muy impresionante de la manera más mágica! Aprende más Innovador ¡Encuentra formas de expresar música que nunca antes se haya escuchado y encanta a todos! Aprende más Rápido ¡Demuestra las increíbles velocidades y sorpréndenos con tu juego nítido! Aprende más Virtuosidad ¡Impresiona con tu técnica y asombra con tu chispa emocionante! Aprende más Lírico ¡Seduzca con su expresión y entrega emocional de la música! Aprende más Embajador Conquista la atención de tu audiencia personificando el papel de un defensor de la música compartiendo tu pasión de manera creativa. Aprende más Profundo ¡Revela la profundidad y los significados ocultos con tu expresión bien pensada! Aprende más Académico ¡Ofrece la interpretación más genuina que encarnaría al compositor y nos llevaría a su mundo! Aprende más Inscribirse