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  • News | Sound Espressivo

    ¡Bienvenido a la Newsletter de Sound Espressivo! Encontrar inspiración en cada paso Aquí puede conocer los próximos eventos, nuevas oportunidades para músicos, grupos, empresas, gerentes. Ilona Oltuski Nov 5 New NY, Get Classical ; Rebellion Research Sound Espressivo Virtual Music Competition – A Sorcerer's Apprentice’s Guide To Mastery Mayo de 2021 Febrero 2021 Enero de 2021 Marzo 2021 Abril de 2021

  • Semifinals Registration | Sound Espressivo

    ¡Bienvenidos semifinalistas! Esta es tu Página de inscripción / orientación Paso 1: Regístrese y pague $ 75 Paso 2: prepara tu tecnología Vea el tutorial sobre cómo acceder a Broadcast Studio Preguntas más frecuentes Registration Form VCHS Tutorials VCHS Tutorials Reproducir video Compartir Canal completo Este video Facebook Twitter Pinterest Tumblr Copiar Enlace Enlace copiado Search videos Buscar video... Ahora en reproducción 06:17 Reproducir video VCHS Producers' Tech Checks with musicians-guests of our LIVE Broadcasts Ahora en reproducción 02:44 Reproducir video SEC tech guide Ahora en reproducción 02:09 Reproducir video Tech Check Prep Ahora en reproducción 01:36:54 Reproducir video How to set up your own broadcasting for music teachers, studios, competitions, schools

  • Virtual Live Performing FAQ | Sound Espressivo

    Virtual Live performing - what can go wrong? What are the ways to prepare the troubleshooting so even the most complex live multicast will go smooth and stress-free? Transmisión en vivo por Internet Preguntas más frecuentes ¿Puede salir mal algo durante mi actuación? Si. Algo puede salir mal. Live Virtual Stage y Live Virtual Concert Hall son inventos relativamente nuevos de la humanidad, y la televisión por Internet no había existido por mucho más de una década. Las conexiones / integraciones tecnológicas son complejas, constan de muchos elementos que deben hacerse para trabajar juntos en sincronía en tiempo real. Los equipos de producción de VCHS están formados por personas muy experimentadas que dirigieron más de 600 transmisiones en vivo con miles de participantes. Se les ha llamado "Harry Potter de música en vivo en un escenario virtual". Serás atendido por algunos de los mejores profesionales de la industria. Pero aún así, ¡las cosas PUEDEN salir mal durante tu actuación! ¿Qué puede ir mal? ¿Qué esperar si algo sale mal? ¿Qué? Durante su verificación técnica, nuestros productores pueden encontrar que su tecnología no puede funcionar de manera adecuada o confiable. Soluciones Le ofreceremos reprogramar para la próxima fecha / sesión disponible. Le daremos instrucciones sobre lo que debe hacer para estar preparado. ¿Qué? La tecnología puede fallar mientras espera su turno en la Sala Verde, o mientras está en la Competencia entre bastidores, o incluso justo antes de su turno. Soluciones Lo guiaremos a través de los pasos que necesita. Vigile de cerca el chat interno en Broadcast Studio y siga las instrucciones de los productores. ¡No dejarás de actuar en tu sesión! Cambiaremos el orden de las actuaciones y actuarás más tarde en la misma sesión. ¿Qué? Después de que nuestros productores afinen la configuración de su tecnología y completen sus verificaciones de tecnología de audio / video, pasará a la competencia entre bastidores. Su tecnología puede volver automáticamente a la configuración predeterminada durante la transición Soluciones Tome notas cuidadosas durante su verificación técnica, verifique dos veces para asegurarse de que su configuración sea la misma, antes de ingresar a la competencia Backstage. “Hice todo bien y de acuerdo con las recomendaciones de su productor. ¿Todavía puede salir mal algo durante mi actuación? " Es poco probable, pero algo aún puede salir mal. Como se mencionó anteriormente: la actuación virtual en vivo se basa en tecnología joven y de vanguardia, y requiere que muchas piezas complejas de un rompecabezas funcionen en sincronía Y en tiempo real. Es un viaje que puede no ser el más adecuado para usted si es propenso al pánico escénico, o espera sentirse traumatizado si necesita lidiar con un cambio repentino de cómo se desarrollan las cosas. Tenga en cuenta sus propios sentimientos y no corra riesgos innecesarios. El escenario virtual seguirá desarrollándose y eventualmente será tan confiable como la electricidad en una sala de conciertos física. ¡Siempre se puede esperar un poco más para que la tecnología alcance esa etapa de perfección! Ahora damos por sentado nuestras salas de conciertos bellamente iluminadas, ¿no es así? Pero 10-20 años después de la invención de Edison, no se veían tan gloriosos como hoy. Sus conciertos nocturnos estaban iluminados por un revoltijo de cables de los que colgaban unas gafas de aspecto extraño que emitían una luz amarillenta parpadeante y, a veces, se apagaban por completo. "¿Qué hará su equipo técnico si algo sucede mientras yo actúo?" No dejaremos que su interpretación se vea o suene con una calidad insatisfactoria, se "congele", se "silencia", etc. En su lugar, haremos lo siguiente: Interrumpe tu actuación Sacarte del escenario Darle acceso al enlace a nuestra Sala técnica de resolución de problemas Nuestros productores trabajarán con usted para resolver los problemas. Si podemos resolver los problemas en un tiempo razonable, lo llevaremos de regreso al escenario y tendrá otra oportunidad de realizar su programa en la misma sesión. Si los problemas persisten y no podemos resolverlos allí mismo, reprogramaremos su presentación para la próxima fecha / sesión disponible. "Tengo una conexión WiFi excelente y rápida, un iPad de nueva generación y he estudiado / enseñado en línea durante 2 años. No se preocupe, estoy bien preparado para su transmisión, no hay nada que pueda salir mal por mi parte". Desafortunadamente, las cosas aún pueden salir mal: Los iPad no son adecuados para la transmisión de televisión por Internet, la tecnología de un iPad no admite la conexión a un estudio de transmisión y la transmisión de música en vivo. Esté preparado para usar una computadora portátil o de escritorio. La conexión WiFi, aunque a menudo funciona, puede volverse poco confiable y no mantener la transmisión durante la duración de su rendimiento, sin importar qué tan rápido. Se recomienda encarecidamente la conexión por cable Ethernet, ya que proporciona estabilidad a su señal. Tanto la velocidad como la estabilidad son esenciales para la transmisión de calidad de una interpretación musical en vivo. Sin embargo, la conexión WiFi puede funcionar bien. Solo esté preparado para que la transmisión realizada a través de una conexión WiFi pueda carecer de consistencia en comparación con la transmisión de personas que pueden conectarse a un enrutador con conexión a tierra mediante un cable Ethernet. Ok, tengo el cable Ethernet, ahora estamos listos, ¿verdad? Casi. Asegúrese de que su cable esté conectado al enrutador con conexión a tierra. Consulte nuestra plataforma de recomendaciones sobre cómo identificar que realmente se está conectando al tipo correcto de enrutador. Si se está conectando a un enrutador basado en Wi-Fi, a un amplificador basado en Wi-Fi u otro dispositivo de Internet que no está conectado a su proveedor mediante un cable con conexión a tierra, no está mejorando la conexión mediante el uso de un cable Ethernet. La lógica es simple: el cable Ethernet se usa con el propósito de eliminar la conexión inalámbrica a Internet en cualquier punto de la cadena.

  • Semifinals | Sound Espressivo

    Watch LIVE Semifinals of Sound Espressivo 2021 Sound Espressivo Competition LIVE Semifinals are here! Nearly 100 musicians from around the entire globe were selected by the International Judges Panel. They are taking virtual stage performing LIVE! Judges commenting live on-air. Please support live music perfuming and courageous musicians by sharing, reposting, and inviting people to watch and to comment! If you join us LIVE – we will show your comments onscreen during the applause Sound Espressivo 2021 LIVE! Reproducir video Search videos Buscar video... Sound Espressivo Gala and Announcement of Winners Reproducir video SEC Finals. Session 1, Age group 26+. January 29 at 10:00 am EST Reproducir video SEC Finals. Session 2, Age groups 15-18 & 19-25. January 29 at 3:00pm EST Reproducir video SEC Finals. Session 3, Age group 10 and under & 11-14. January 29 at 8:00pm EST Reproducir video SEC Finals. Session 4. Age groups 10 and under & 11-14. LIVE, January 30 at 10:00 am. Reproducir video SEC Finals. Session 5, Age group 26+. January 30 at 3:00pm EST Reproducir video SEC Finals. Session 6, Age groups 15-18 & 19-25. January 30 at 8:00pm Reproducir video SEC Semifinals LIVE, Session 5. Saturday, December 18, 2021 Reproducir video

  • Age Groups and Instruments | Sound Espressivo

    Instrumentos y Voz Piano Toda cuerda y arpa Vientos de madera Latón Voz clásica Guitarra clásica Instrumentos barrocos Percusión Jazz Danza Grupos de edad Menores de 10 11-14 15-18 19-25 26+

  • colORCHESTRA 2022-23 | Sound Espressivo

    Winners Concerts February 17 and 19 Upcoming Concerts International Artists Concerto Performance Date FEBRUARY 17th & 19th, 2023 Western New York Chamber Orchestra Classics #3 Glen Cortese, Conductor col ORCHESTRA Auditions Winners - soloists, bios and program here Friday, February 17, 2023 7:30 p.m Westminster Presbyterian Church, Buffalo, NY Sunday, February 19, 2023 4:00 p.m King Concert Hall, Fredonia, NY Full Concert Program colORCHESTRA Auditions 2022-23 Reproducir video Todos los videos colORCHESTRA Auditions 2022-23 Categorías Reproducir video Reproducir video 06:58 Col Orchestra Preview of Winners Concerts Feb 17 and 19 with Western New York Chamber Orchestra International Artist Concerto Concerts Nahar Eliaz, cello, Israel Concerto in A minor, Op. 33 Camille Saint-Saëns 00:13 - III. Tempo primo Timothy Shi, violin, USA Concerto in E minor, Op. 64 Felix Mendelssohn 1:19 - I. Allegro molto appassionato (1809-1847) Julio Reyes, guitar, USA Concerto in D Major, RV 93 Antonio Vivaldi 2:34 - III. Allegro Ke Tang, piano, China Concerto No. 20 in D minor, K. 466 Wolfgang Amadeus Mozart 3:38 - I. Allegro (1756-1791) Ben Batalla, piano, USA Concerto in E minor, Op. 11 Frédéric Chopin 4:49 - II. Romanze – Larghetto (1810-1849) Itay Hazan, clarinet, Israel, France Concerto in F minor, Op. 73 Carl Maria von Weber 6:05 - I. Allegro Moderato (1786-1826) --- Friday, February 17 at 7:30pm Westminster Presbyterian Church Buffalo, NY Concerto in D Major, RV 93 Antonio Vivaldi I. Allegro giusto (1678-1741) II. Largo III. Allegro Julio Reyes, guitar, USA Concerto in E minor, Op. 64 Felix Mendelssohn I. Allegro molto appassionato (1809-1847) Timothy Shi, violin, USA INTERMISSION Concerto in F minor, Op. 73 Carl Maria von Weber I. Allegro Moderato (1786-1826) Itay Hazan, clarinet, Israel, France Concerto in A minor, Op. 33 Camille Saint-Saëns I. Allegro non troppo (1835-1921) II. Allegretto con moto III. Tempo primo Nahar Eliaz, cello, Israel International Artist Concerto Concert Sunday, February 19 at 4:00pm Harry A. King Concert Hall The State University of New York at Fredonia Concerto in D Major, RV 93 Antonio Vivaldi I. Allegro giusto (1678-1741) II. Largo III. Allegro Julio Reyes, guitar, USA Concerto in E minor, Op. 64 Felix Mendelssohn I. Allegro molto appassionato (1809-1847) Timothy Shi, violin, USA Concerto No. 20 in D minor, K. 466 Wolfgang Amadeus Mozart I. Allegro (1756-1791) Ke Tang, piano, China INTERMISSION Concerto in E minor, Op. 11 Frédéric Chopin II. Romanze – Larghetto (1810-1849) Ben Batalla, piano, USA Concerto in A minor, Op. 33 Camille Saint-Saëns I. Allegro non troppo (1835-1921) II. Allegretto con moto III. Tempo primo Nahar Eliaz, cello, Israel These concerts and LIVE Broadcasts are produced by Virtual Concert Halls (VCHS), in collaboration with BTDA, kor/Productions, Progressive Musicians, Sound Espressivo, and Western New York Chamber Orchestra. Special thanks to VCHS Production Team: Fedor Ouspensky, Frane Rusinovic, Christ Au Reproducir video Reproducir video 02:12:30 colORCHESTRA International Artists, WNYCO, LIVE Westminster Presbyterian Church This concert is a culminating event in a months-long colORCHESTRA project designed to discover and present Concertos for wide variety of instruments from various periods, performed by international artists of highest caliber. Soloists for this Concert were selected by International Panel of Judges through rigorous live auditioning, out of a pool of applicants from all over the world. This project invites musicians and audience to bridge geographic and other barriers and come together for a truly remarkable musical journey. Friday, February 17, 2023 7:30 pm Westminster Presbyterian Church, Buffalo, NY Western New York Chamber Orchestra, Glen Cortese, conductor. Live commentary by Steve Robinson, a world renown radio producer and host of classical music programs https://virtualconcerthalls.com/steve... Hosted by Anna Ouspenskaya and Chris Au, and brought to you by the VCHS Production Team: Fedor Ouspensky, Frane Rušinović, Chris Au, Igor Zubkovsky, and Ante Božić-Kudrić. https://virtualconcerthalls.com/ Program 19:30 - Concerto in D Major, RV 93 Antonio Vivaldi I. Allegro giusto (1678-1741) 23:33 - II. Largo 29:05 - III. Allegro Julio Reyes, guitar 33:33 - Concerto in E minor, Op. 64 Felix Mendelssohn I. Allegro molto appassionato (1809-1847) Timothy Shi, violin INTERMISSION. 1:10:00 - Concerto in F minor, Op. 73 Carl Maria von Weber I. Allegro Moderato (1786-1826) Itay Hazan, clarinet 1:20:19 - Concerto in A minor, Op. 33 Camille Saint-Saëns I. Allegro non troppo (1835-1921) 1:26:22 - II. Allegretto con moto 1:32:00 - III. Tempo primo Nahar Eliaz, cello We thank everyone who helped make this project possible! colORCHESTRA Staff: James Welch, Progressive Musicians Anna Ouspenskaya, Virtual Concert Halls Johanna Moffitt, /kor/ Productions Gevorg Sargsyan, Brilliant Talent Discovery Awards WNYCO Administrative Staff: Glen Cortese, Artistic Director/Conductor Lisa Layman, Executive Director Julie Newell, Development Director Brent Weber, Operations Manager Bryan Eckenrode, Personnel Manager Brian Walnicki, Librarian Jessica Staiano & Dylan Murphy, Student Interns Julia Williamson, Graphic Design On Site Streaming Engineers: Matt Marco, Garrett Martin Graphic Designers: James Welch, Fedor Ouspensky, Frane Rusinovic, Chris Au Special Thanks: Daniel Waldorf Brend Gottinger Jefferson Westwood Emily Cox Tom Loughlin Matt Marco To learn more about organizers and supporters of colORCHESTRA Project, visit our website, like and subscribe to our channels! events: https://www.progressivemusicians.com https://www.soundespressivocompetition.com https://www.virtualconcerthalls.com https://www.korproductions.org https://www.btdawards.com https://www.wnychamberorchestra.com https://www.wpcbuffalo.org https://www.iclassical-academy.com https://www.historyofmusic.eu https://www.wpta.info https://events.fredonia.edu Reproducir video Reproducir video 02:29:46 colORCHESTRA International Artists, WNYCO, LIVE from King Concert Hall This concert is a culminating event in a months-long colORCHESTRA project designed to discover and present Concertos for wide variety of instruments from various periods, performed by international artists of highest caliber. Soloists for this Concert were selected by International Panel of Judges through rigorous live auditioning, out of a pool of applicants from all over the world. This project invites musicians and audience to bridge geographic and other barriers and come together for a truly remarkable musical journey. International Artist Concerto Concert Sunday February 19, 4:00pm Harry A. King Concert Hall The State University of New York at Fredonia Western New York Chamber Orchestra, Glen Cortese, conductor. Live commentary by Steve Robinson, a world renowned radio producer and host of classical music programs https://virtualconcerthalls.com/steve-robinson/ Hosted by Anna Ouspenskaya and Chris Au, and brought to you by the VCHS Production Team: Fedor Ouspensky, Frane Rušinović, Chris Au, Igor Zubkovsky, and Ante Božić-Kudrić. https://virtualconcerthalls.com/ Program: Concerto in D Major, RV 93 Antonio Vivaldi 40:41 - I. Allegro giusto (1678-1741) 45:45 - II. Largo 51:49 - III. Allegro Julio Reyes, guitar Concerto in E minor, Op. 64 Felix Mendelssohn 56:00 - I. Allegro molto appassionato (1809-1847) Timothy Shi, violin Concerto No. 20 in D minor, K. 466 Wolfgang Amadeus Mozart 1:11:39 - I. Allegro (1756-1791) Ke Tang, piano INTERMISSION. Stay tuned for commentary by Steve Robinson and more! Concerto in E minor, Op. 11 Frédéric Chopin 1:45:45 - II. Romanze – Larghetto (1810-1849) Ben Batalla, piano Concerto in A minor, Op. 33 Camille Saint-Saëns 2:00:40 - I. Allegro non troppo (1835-1921) 2:06:50 - II. Allegretto con moto 2:12:30 - III. Tempo primo Nahar Eliaz, cello Stay tuned for closing remarks! We thank everyone who helped make this project possible! colORCHESTRA Staff: James Welch, Progressive Musicians Anna Ouspenskaya, Virtual Concert Halls Johanna Moffitt, /kor/ Productions Gevorg Sargsyan, Brilliant Talent Discovery Awards WNYCO Administrative Staff: Glen Cortese, Artistic Director/Conductor Lisa Layman, Executive Director Julie Newell, Development Director Brent Weber, Operations Manager Bryan Eckenrode, Personnel Manager Brian Walnicki, Librarian Jessica Staiano & Dylan Murphy, Student Interns Julia Williamson, Graphic Design On Site Streaming Engineers: Matt Marco, Garrett Martin Graphic Designers: James Welch, Fedor Ouspensky, Frane Rusinovic, Chris Au Special Thanks: Daniel Waldorf Brend Gottinger Jefferson Westwood Emily Cox Tom Loughlin To learn more about organizers and supporters of colORCHESTRA Project, visit our website, like and subscribe to our channels! events: www.progressivemusicians.com www.soundespressivocompetition.com www.virtualconcerthalls.com www.korproductions.org www.btdawards.com www.wnychamberorchestra.com www.wpcbuffalo.org www.iclassical-academy.com www.historyofmusic.eu www.wpta.info https://events.fredonia.edu/event/western_new_york_chamber_orchestra_230219 See less Reproducir video Reproducir video 41:02 colORCHESTRA announcing Winners of the Auditions The colORCHESTRA Open Auditions are presented in Partnership with Brilliant Talent Discovery Awards, Progressive Musicians, Virtual Concert Halls, and /kor/ productions Auditions were held for upcoming Concerto Performance Dates: FEBRUARY 17th & 19th, 2023 Western New York Chamber Orchestra Glen Cortese, Conductor This uniquely-designed audition is open to musicians of all ages who are available for soloist engagements within the 2022-23 and 2023-24 concert seasons. Selected artists will be awarded an appearance opportunity to perform solo with esteemed professional orchestras from around the world. We thank the esteemed International Panel of Judges, for sharing their time and expertise with auditionees, through their constructive supportive comments which they provided live during the Final Round of the Auditions, and through the process of selecting the Winners: Gevorg Sargsyan, conductor, cello Johanna Moffitt, soprano James Welch, piano, conductor Lisa Layman, soprano, Executive Director, WNYCO Orchestra Glen Cortese conductor, Music Director of WNYCO Orchestra Come and join a supportive, inclusive environment that values professionalism, creativity, personal expression, and the joy that comes from making music! This two-tiered audition has no accompanying requirements, is readily accessible by video submissions, and there is no time limit imposed on the selections that competitors choose to present—we want YOU to show us what you feel you do BEST! ~~~~~~~~ Today's LIVE Broadcast is brought to you by hosts Anna Ouspenskaya and Chris Au, and the VCHS Production Team: Fedor Ouspensky, Frane Rušinović and Igor Zubkovsky. Learn more by visiting: https://www.btdawards.com/ https://www.soundespressivocompetition.com/colorchestra-auditions https://www.progressivemusicians.com/ https://www.korproductions.org/ https://virtualconcerthalls.com/ https://www.wnychamberorchestra.com/ Reproducir video Reproducir video 02:08:29 colORCHESTRA FINALS, Session 1 Welcome to the colORCHESTRA Open Auditions 2022-23 concert season! Presented in Partnership with Brilliant Talent Discovery Awards, Progressive Musicians, Virtual Concert Halls, and /kor/ productions. Today musicians from around the world take central stage for the Final Round of LIVE competing for an opportunity to perform in the upcoming Concerto performances with Western New York Chamber Orchestra on FEBRUARY 17th & 19th, 2023, Glen Cortese, Conductor and Music Director Today's Judges will be providing on-air live comments to each auditionee right after they perform: Lisa Layman, soprano, Executive Director, WNYCO Orchestra James Welch, piano Johanna Moffitt, soprano ~~~~~~~~~~~~~ Today's performers and program: 12:30 - Katie Shih Koh & Eric Shih Koh (USA) Mozart - Concerto No. 10 in E-flat Major, K. 365 for 2 Pianos (III. Rondo: Allegro) 25:02 - Tiffany Tsui (USA), accompanied by Yvonne Lau Joseph Bologne de Saint-George - Violin Concerto in G Major, Op.2 No.1 (I. Allegro) 36:19 - Timothy Shi (USA) Mendelssohn - Violin Concerto in E minor, Op. 64 (I. Allegro molto appassionato) 54:42 - Lifan Deng (China), accompanied by Teressa Kang Ravel - Don Quichotte à Dulcinée I. Chanson Romanesque II. Chanson épique 59:22 - III. Chanson à boire 1:27:48 - Julio Reyes (USA) Vivaldi - Guitar Concerto in D Major I. Allegro 1:30:56 - II. Largo 1:36:12 - III. Allegro 1:45:26 - Sarah Lowenstein (USA) Henri Casadesus - Concerto in C minor for Viola in the style of J.C. Bach I. Allegro molto ma maestoso 1:48:59 - II. Adagio molto espressivo 1:55:36 - III. Allegro molto energico Today's LIVE Broadcast is brought to you by hosts Anna Ouspenskaya and Chris Au, and the VCHS Production Team: Fedor Ouspensky, Frane Rušinović and Igor Zubkovsky. ~~~~~~~~~~~~~~~~ This uniquely-designed audition is open to musicians of all ages who are available for soloist engagements within the 2022-23 and 2023-24 concert seasons. Selected artists will be awarded an appearance opportunity to perform solo with esteemed professional orchestras from around the world. This two-tiered audition has no accompanying requirements, is readily accessible by video submissions, and there is no time limit imposed on the selections that competitors choose to present—we want YOU to show us what you feel you do BEST. We invite audience members to comment and support today's artists and producers of the program! Please sign up to our channel and share the link with your community, let's together give more people an opportunity to be enriched by classical music! Learn more by visiting https://www.soundespressivocompetition.com/colorchestra-auditions https://www.korproductions.org/ https://www.progressivemusicians.com/2nd-tier-auditions https://www.btdawards.com/ Reproducir video Reproducir video 05:04:52 colORCHESTRA FINALS, Session 2 Welcome to the colORCHESTRA Open Auditions 2022-23 concert season! Presented in Partnership with Brilliant Talent Discovery Awards, Progressive Musicians, Virtual Concert Halls, and /kor/ productions. Today musicians from around the world take central stage for the Final Round of LIVE competing for an opportunity to perform in the upcoming Concerto performances with Western New York Chamber Orchestra on FEBRUARY 17th & 19th, 2023, Glen Cortese, Conductor and Music Director. Today's Judges will be providing on-air live comments to each auditionee right after they perform: Gevorg Sargsyan, conductor, cello Johanna Moffitt, soprano James Welch, piano Lisa Layman, soprano, Executive Director, WNYCO Orchestra ~~~~~~~~~~~~~ Today's performers and program: 22:00 - Pablo Menéndez (Spain) (accompanied by Soledad Ramirez) Joaquín Rodrigo - Concierto de Aranjuez I. Allegro con spirito 29:00 - II. Adagio 41:10 - III. Allegro gentile 54:38 - Ke Tang (China) (accompanied by Peizhang Wu) Mozart - Piano Concerto No. 20 in D minor, K. 466 I. Allegro II. Romanze III. Rondo, Allegro assai 1:39:27 - Kyle Cho (USA) Handel - Oboe Concerto No. 3 in G minor, HWV 287 I. Grave II. Allegro 1:44:12 - III. Sarabande 1:46:17 - IV. Allegro 1:59:35 - Louisa Marie Cordes (Germany) (accompanied by Anette Kröger) Bach - Violin Concerto No.1 in A minor, BWV 1041 I. Allegro moderato 2:03:40 - II. Andante 2:11:10 - III. Allegro assai 2:24:00 - Nahar Eliaz (Israel) Saint-Saëns - Cello Concerto in A minor, Op. 33 (accompanied by Tal Haim Samnon) 2:55:24 - Kailey Suh (USA) Mendelssohn - Violin Concerto in E minor, Op. 64 (I. Allegro molto appassionato) 3:19:23 - Itay Hazan (Israel) Weber - Clarinet Concerto No.1 in F minor, Op. 73 (I. Allegro) (accompanied by Anat Paul Hazan) 3:40:50 - Elizabeth Cohen (USA) (accompanied by Dan Foster) Puccini - “Un bel di vedremo”, from Madama Butterfly 3:45:50 - Verdi - “Tacea la notte placida”, from Il Trovatore 4:07:50 - Calliope Smith (USA) Vivaldi - Winter, from The Four Seasons I. Allegro non molto II. Largo III. Allegro 4:22:04 - Lemuel D'Anzi (Italy) Beethoven - Piano Concerto No. 4, Op. 58 I. Allegro moderato II. Andante con moto III. Rondo (Vivace) ~~~~~~~~~~~~~~~~ Today's LIVE Broadcast is brought to you by hosts Anna Ouspenskaya and Chris Au, and the VCHS Production Team: Fedor Ouspensky, Frane Rušinović and Igor Zubkovsky. ~~~~~~~~~~~~~~~~ This uniquely-designed audition is open to musicians of all ages who are available for soloist engagements within the 2022-23 and 2023-24 concert seasons. Selected artists will be awarded an appearance opportunity to perform solo with esteemed professional orchestras from around the world. This two-tiered audition has no accompanying requirements, is readily accessible by video submissions, and there is no time limit imposed on the selections that competitors choose to present—we want YOU to show us what you feel you do BEST. We invite audience members to comment and support today's artists and producers of the program! Please sign up to our channel and share the link with your community, let's together give more people an opportunity to be enriched by classical music! Learn more by visiting https://www.soundespressivocompetition.com/colorchestra-auditions https://www.korproductions.org/ https://www.progressivemusicians.com/2nd-tier-auditions https://www.btdawards.com/ Reproducir video Reproducir video 03:22:31 colORCHESTRA FINALS, Session 3 Welcome to the colORCHESTRA Open Auditions 2022-23 concert season! Presented in Partnership with Brilliant Talent Discovery Awards, Progressive Musicians, Virtual Concert Halls, and /kor/ productions. Today musicians from around the world take central stage for the Final Round of LIVE competing for an opportunity to perform in the upcoming Concerto performances with Western New York Chamber Orchestra on FEBRUARY 17th & 19th, 2023, Glen Cortese, Conductor and Music Director. ~~~~~~~~~~~~~~~~ Today's Judges will be providing on-air live comments to each auditiounee right after they perform: Gevorg Sargsyan, conductor, cello Johanna Moffitt, soprano James Welch, piano Lisa Layman, soprano, Executive Director, WNYCO Orchestra ~~~~~~~~~~~~~~~~ Today's performers and program: 11:20 - Ria Kang (USA) Mozart - Violin Concerto No.3 in G Major, K.216 (I. Allegro) (accompanied by Minyoung Kang) 24:55 - Mark Richman (USA) Mozart - Piano Concerto No. 21 in C Major, K. 467 I. Allegro maestoso 38:22 - II. Andante 45:30 - III. Allegro vivace assai (accompanied by Dmitry Rachmanov) 1:05:30 - Sandra Godwin (India) Bizet - “Comme autre fois dans la nuit sombre”, from Les Pêcheurs de perles (accompanied by Susan Dantoni) 1:24:13 - Susan Dantoni (USA) Bach - Keyboard Concerto in D minor, BWV 1052 (I. Allegro) 1:41:31 - Xavier Flory (USA) Verdi - “Ah, la paterna mano”, from Macbeth 1:45:03 - Wagner - “Wintersturme”, from Die Walküre 2:13:31 - Rae Pung (Australia) Chopin - Piano Concerto No. 1 in E minor, Op. 11 (I. Allegro maestoso) 2:23:15 - Johnston Lai (USA) Mendelssohn - Violin Concerto in E minor, Op. 64 (I. Allegro molto appassionato) 2:56:20 - Ben Batalla (USA) Chopin - Piano Concerto No. 1 in E minor, Op. 11 (II. Romanze – Larghetto) Accompanied by Ray Garcia (violin), Brett Osburn (viola), Jen Hwo (cello) ~~~~~~~~~~~~~~~~ Today's LIVE Broadcast is brought to you by hosts Anna Ouspenskaya and Chris Au, and the VCHS Production Team: Fedor Ouspensky, Frane Rušinović and Igor Zubkovsky. ~~~~~~~~~~~~~~~~ This uniquely-designed audition is open to musicians of all ages who are available for soloist engagements within the 2022-23 and 2023-24 concert seasons. Selected artists will be awarded an appearance opportunity to perform solo with esteemed professional orchestras from around the world. This two-tiered audition has no accompanying requirements, is readily accessible by video submissions, and there is no time limit imposed on the selections that competitors choose to present—we want YOU to show us what you feel you do BEST. We invite audience members to comment and support today's artists and producers of the program! Please sign up to our channel and share the link with your community, let's together give more people an opportunity to be enriched by classical music! Learn more by visiting https://www.soundespressivocompetition.com/colorchestra-auditions https://www.korproductions.org/ https://www.progressivemusicians.com/2nd-tier-auditions https://www.btdawards.com/ Reproducir video Reproducir video 01:16:15 colORCHESTRA Auditions FINALS live! Session 4 Welcome to the colORCHESTRA Open Auditions 2022-23 concert season! Presented in Partnership with Brilliant Talent Discovery Awards, Progressive Musicians, Virtual Concert Halls, and /kor/ productions. Today musicians from around the world take central stage for the Final Round of LIVE competing for an opportunity to perform in the upcoming Concerto performances with Western New York Chamber Orchestra on FEBRUARY 17th & 19th, 2023, Glen Cortese, Conductor and Music Director. Today's Judges will be providing on-air live comments to each auditionee right after they perform: Gevorg Sargsyan, conductor, cello Johanna Moffitt, soprano James Welch, piano Lisa Layman, soprano, Executive Director, WNYCO Orchestra ~~~~~~~~~~~~~ Today's performers and program: 14:44 - Christina Ebersohl (USA) Haydn - Concerto No.1 in C Major I. Moderato 23:15 - II. Adagio 31:45 - III. Allegro molto 50:23 - Doron Hazan (Israel/France) Glazunov - Saxophone Concerto, Op. 109 I. Allegro moderato II. Andante sostenuto III. Allegro ~~~~~~~~~~~~~~~~ Today's LIVE Broadcast is brought to you by hosts Anna Ouspenskaya and Chris Au, and the VCHS Production Team: Fedor Ouspensky, Frane Rušinović and Igor Zubkovsky. ~~~~~~~~~~~~~~~~ This uniquely-designed audition is open to musicians of all ages who are available for soloist engagements within the 2022-23 and 2023-24 concert seasons. Selected artists will be awarded an appearance opportunity to perform solo with esteemed professional orchestras from around the world. This two-tiered audition has no accompanying requirements, is readily accessible by video submissions, and there is no time limit imposed on the selections that competitors choose to present—we want YOU to show us what you feel you do BEST. We invite audience members to comment and support today's artists and producers of the program! Please sign up to our channel and share the link with your community, let's together give more people an opportunity to be enriched by classical music! Learn more by visiting https://www.soundespressivocompetition.com/colorchestra-auditions https://www.korproductions.org/ https://www.progressivemusicians.com/2nd-tier-auditions https://www.btdawards.com/ col ORCHESTRA Auditions Meet the Finalists To play, press and hold the enter key. To stop, release the enter key. Sound Espressivo is thrilled to announce a new undertaking for the 2022-23 season: the col ORCHESTRA Open Auditions Presented in Partnership with Brilliant Talent Discovery Awards , Progressive Musicians , Virtual Concert Halls , and /kor/ productions This uniquely-designed audition is open to musicians of all ages who are available for soloist engagements within the 2022-23 and 2023-24 concert seasons. Selected artists will be awarded an appearance opportunity to perform solo with esteemed professional orchestras from around the world. This two-tiered audition has no accompanying requirements, is readily accessible by video submissions, and there is no time limit imposed on the selections that competitors choose to present—we want YOU to show us what you feel you do BEST! Audition for Upcoming Concerto Performance Dates: FEBRUARY 17th & 19th, 2023 Western New York Chamber Orchestra Glen Cortese, Conductor Come and join a supportive, inclusive environment that values professionalism, creativity, personal expression, and the joy that comes from making music! Regulations Repertory List Register Upcoming dates Audition for Upcoming Concerto Performance Dates: FEBRUARY 17th & 19th, 2023 Western New York Chamber Orchestra Classics #3 Glen Cortese, Conductor BEETHOVEN: Coriolan Overture col ORCHESTRA Auditions Winners - soloists and repertory TBA Friday, February 17, 2023 7:30 p.m Westminster Presbyterian Church, Buffalo, NY Saturday, February 18, 2023 7:30 p.m King Concert Hall, Fredonia, NY Register to audition NOW ColORCHESTRA Finalsts

  • Dates, Ages, Categories | Sound Espressivo

    Plazo de solicitud 30 de noviembre de 2021 Preliminares EN VIVO: 30-31 de octubre de 2021 20-21 de noviembre de 2021 2, 4, 5, 9, 11, 12 de diciembre de 2021 Tarifa de solicitud: $ 100 Semifinales - 16-19 de diciembre de 2021 Finales - 29-30 de enero de 2022 Gala de galardonados y ceremonia de entrega de premios - Domingo 6 de febrero de 2022 Grupos de edad 10 y menos 11-14 15-18 19-25 Adulto (26 años o más) Todos los instrumentos Danza Voz Todas las épocas y Jazz Repertorio - libre elección Límite de tiempo de la ronda preliminar: 10 minutos Actuar en vivo en una transmisión pública o Enviar V ideo Mirando hacia el futuro: Diciembre de 2021-enero de 2022 Sonido expresivo Las rondas semifinal y final son transmisiones EN VIVO Más detalles a continuación Elige tu fecha 30-31 de octubre de 2021 20-21 de noviembre de 2021 2, 4, 5, 9, 11, 12 de diciembre de 2021 Grupos de edad Medio Piano S tring Instrumentos Instrumentos de viento Guitarra Arpa Instrumentos de percusión Instrumentos barrocos Grupos de cámara, conjuntos, conjuntos grandes Voz Instrumentos tradicionales Solicitud Escoger Actuación en vivo o Envío de video pregrabado Competitivo o no competitivo Categoría Artística ¡Todos los estilos! Período Barroco Clásico Contemporáneo Jazz Detalles Semifinales - 16-19 de diciembre de 2021 Finales - 29-30 de enero de 2022 10 y menos 11-14 15-18 19-15 26 años o más

  • Copy of Prizes | Sound Espressivo

    What kind of prizes can you win? Learn more here about Sound Espressivo, the first online LIVE streaming Competition for classical musicians of all ages. Contestants and judges focus on unique artistry of every performer, awarding prizes offered by music management companies. ¡Ser descubierto! ¡Ser promovido! Los premios son ofrecidos por compañías que avanzan en sus carreras y presentan oportunidades de interpretación a músicos clásicos de todas las edades, instrumentos y voces. * * Los premios se otorgan a discreción exclusiva de las empresas y no están garantizados por los organizadores del Concurso SEC-2021 no ofrece premios en efectivo Salas de conciertos virtuales es un productor online especializado en retransmisiones en directo, streaming y grabación a distancia de músicos y eventos musicales. Producimos y transmitimos a través de Internet programas de artistas individuales, conciertos, festivales, recitales, presentaciones. Premios de actuación patrocinadores de salas de conciertos virtuales: Cada laureado realizará un recital en solitario. Cada ganador participará en conciertos. Beca para asistir al Seminario de Pianistas Avanzados * * (en persona o virtualmente según lo permitan las circunstancias) Dos becas para cualquier instrumentista. para participar en un tour cultural inmersivo en Europa 4 al 14 de junio de 2022 Múnich-Fussen-Insbruck-Liechtenstein-Zúrich Detalles TBC Dos becas para pianistas Clases magistrales con profesores en una de las principales instituciones musicales de Alemania Oportunidad de presentación en uno de los castillos / lugares (nuevamente, detalles por confirmar) Tour / itinerario cultural dedicado que incluye visitas a varios sitios culturales, conciertos y / o teatros de ópera Para echar un vistazo a cómo fue en 2019, visite este enlace. Quince minutos de fama es 15 un minuto obras de diferentes compositores escritas para un intérprete o conjunto específico. Quince minutos de fama ofrece una variedad de música nueva de compositores vivos a un público hambriento de escuchar lo que se está creando en la escena musical actual. " ... el proyecto 15 Minutes of Fame de Vox Novus es una bendición. Organiza concursos en los que los conjuntos encargan convocatorias en todo el mundo para la presentación de piezas de aproximadamente un minuto, y luego seleccionan sus 15 favoritos para estrenos. Los jugadores, emergentes y sin los fondos para una tarifa de comisión tradicional, obtener obras originales para presentar, mientras que los compositores igualmente emergentes tienen la oportunidad de exponerse y un estreno ... " - Seth Gilman, Examinador de cultura musical de Nueva York Ofreciendo orgullosamente una beca a un violonchelista prometedor, para asistir clases magistrales con el Dr. Anzél Gerber en el seminario Wiener Musik en Viena, Austria WIENER MUSIKSEMINAR -International master classes in Vienna, Austria. The Wiener Musikseminar has, since its founding in 1970, committed itself to convey a piece of music history to young artists from around the world Vienna as the cultural centre of classical music is a fertile ground for this purpose. Apart from the international master classes, participants will have the opportunity to perform in a concert. To learn more go to www.musikseminar.at Premio de Reconocimiento Ofertas de iClassical Academy Online de alta calidad Masterclasses y cursos Violín, violonchelo, piano, dirección, música y carrera y muchos más. Nuestra misión es brindar a cualquier generación de músicos en todo el mundo la posibilidad de mejorar sus habilidades en línea, disfrutar de una vasta comunidad de maestros de conservatorio de renombre y aprender de lecciones en línea grabadas con lo mejor de las tecnologías modernas. Patrocinadores de iClassical Academy Premios de reconocimiento a todos los concursantes, independientemente de lo lejos que avancen en la competencia Five Awards Message from Clive Moore, CEO of Fan4Me Estudio Nature Studio Nature presenta a todos los artistas musicales, artistas de sonido y artistas de la palabra hablada de todo el mundo . Una oportunidad única para que se reproduzcan sus canciones / piezas sonoras y se graben en video; documentado en el paisaje natural finlandés. ¡También hacemos videos musicales y metraje de la naturaleza, creados con sus especificaciones y deseos! Feliz de considerar ofrecer una beca completa para nuestro Festival 2021 El próximo festival de artistas emergentes es una experiencia inmersiva para el intérprete de cuerdas, compositor y coreógrafo moderno. Proporciona un enfoque integral para la construcción de una carrera empresarial, la interpretación musical contemporánea y el desarrollo artístico intensivo y personalizado. “El espíritu del lugar es cálido, amistoso, informal, pero serio y nos recuerda por qué hacemos música juntos. Hubo tiempo para reflexionar y trabajar en cada matiz, una rareza en estos días ". –Pierre Jalbert, compositor “Es extremadamente raro encontrar un festival que fomente un ambiente de trabajo duro y camaradería al mismo tiempo que hace de la música contemporánea su enfoque principal. El próximo festival es un hogar extraordinario para la nueva música y animo a todos los estudiantes de mente abierta a que vengan y exploren lo que depara el futuro ". –Jeffrey Zeigler, violonchelista "Una fuente ideal para la colaboración artística". –Derek Bermel, compositor "¡Una auténtica alegría!" –Jennifer Koh, violinista Vox Novus está otorgando a un músico ganador sus servicios para organizar y administrar su proyecto Fifteen Minutes of Fame para una actuación en línea. y entrevista en conjunto con Virtual Concert Halls. Bel Cantanti, una compañía de ópera, bajo la dirección de la Dra. Katerina Souvorova, se formó en 2003 con el propósito expreso de brindar oportunidades de interpretación al talento operístico local. Sus integrantes son jóvenes profesionales de la ópera, cuyas experiencias escénicas colectivas incluyen producciones operísticas totalmente representadas en diferentes escenarios del país y del exterior. La mente maestra del artista intrépido Beca completa para el programa de desarrollo profesional de 6 meses ¡Aprenda a gestionar su propio éxito! The Fearless Artist Mastermind se complace en ofrecer un premio (valorado en más de 600 €) de una membresía de 6 meses a su programa mensual de desarrollo profesional para músicos, así como sesiones de coaching 1-1 mensuales de 45 minutos para el ganador del premio. Este programa ofrece estructura, apoyo y, en última instancia, aceleración en la carrera del artista a medida que aprenden habilidades comerciales y del mundo real para posicionarse para oportunidades futuras como músicos prósperos. Dos llenos Becas para violonchelo (cada uno tiene un valor aproximado de $ 500) Clases magistrales de violonchelo de verano en línea para ser premiado a los mejores finalistas de violonchelo El 3er WALTHAM FOREST CELLO FEST 2021 en Londres / CELLO ACADEMY 6ème BACH FESTIVAL GERS 2021 - BFG COURS DE MUSIQUE D'ÉTÉ EN LIGNE dPhoto Studio dPhoto Studio creará un retrato de video artístico para el elegido ganador: un avance de video profesional de 10 segundos dPhoto Studio se especializa en la producción de fotografías y videos y animaciones gráficas en movimiento para proyectos web, comerciales y privados. Drama Queen Graphics ayuda a los grupos de artes escénicas y visuales a interactuar con su público a través de un diseño gráfico llamativo y soluciones de marca que se destacan y exigen atención. Entrada es una biblioteca de videos en línea que ayuda a los pianistas a lograr una técnica de piano tridimensional de cuerpo entero, incluso para arpegios, trinos, trémolos, escalas, octavas y acordes repetidos sin esfuerzo. ¡Los maestros de Entrada informan niveles más altos de confianza y logros para ellos y sus estudiantes! Virtual Salas de Conciertos y Americano Festival de Bellas Artes Premios de rendimiento Mejor intérprete instrumental : Aparición con una orquesta europea (TBD) durante la temporada de verano-otoño de 2021 (se otorgará un premio al ganador más calificado en general) Premios Carnegie Hall Weill Recital Hall Cuatro premios : Actuación en los recitales de los ganadores del American Arts Festival Carnegie Hall Weill Recital Hall el 13 de junio y el 20 de junio de 2021 Mejor voz : Actuación en el Carnegie Hall Weill Recital Hall en el otoño de 2021, presentada en el concierto Golden Voice Premio de beca $ 500 Para participar en los programas de verano presentados por el American Fine Arts Festival en Europa durante el verano de 2021 Premio al compromiso profesional El ganador tendrá la oportunidad de aparecer en el Concierto Virtual Spotlight exclusivo de GROUPMUSE. Anunciado en toda la red de Groupmuse El ganador recibirá formación técnica gratuita para retransmisiones en directo y asistencia para la incorporación de músicos a través de la plataforma Groupmuse y más allá Groupmuse es una plataforma de música clásica en línea y una comunidad de más de 150,000 personas que ha facilitado más de 6,000 conciertos de música de cámara y más de 300 conciertos virtuales desde la era COVID. Music2Meeting la primera agencia internacional de gestión de artistas dedicada a traer músicos de clase mundial directamente al lugar de trabajo virtual Lena Khandros Music Business Entrepreneur, Producer, Founder & CEO at Momentum Artists Management and Music2Meeting.com

  • Rules and Regulations | Sound Espressivo

    S ound Espressivo Rules, Regulations, Formats Some competitions may have varied requirements for repertory, age, dates, and other, and may award unique Prizes not available in other Competitions. For additional details please read carefully the webpage for that Competition. For additional details about Masters and Masterworks Competition, please see Section 15 below. Download a PDF of Rules here 1. Eligibility Competition is open to classical and jazz musicians of • all nationalities and all ages • all instruments and voice • ensembles and groups of any size and composition For the Preliminary Round applicants must either submit a recent video of their own performance or choose a date on the Application form to audition LIVE through an Internet Broadcast system. Semi Finalists and Finalists MUST be prepared to compete LIVE through Internet Broadcast TV method. Participants for The Sound Espressivo competition must have access to broadband internet with a computer that contains a microphone and video camera. Technical assistance, necessary preparations, consultations, individual remote tech check sessions with Broadcast Producers and Engineers, production of the Broadcast, and Broadcast management are provided by the Sound Espressivo partner, a Virginia based broadcasting and production company Virtual Concert Hals. 2. Competition Rounds Sound Espressivo is held in two rounds: • Preliminary Round • Finals 3. Dates, Deadlines, Application Process Refer to specific Dates and Deadlines stated on the Competition websites, for each Concert Season Contestants apply online through SEC website Portal by filling out the Application Form and completing the payment through SEC payment system online. Payment methods: major credit cards. Additional payment methods can be requested by an applicant, but not guaranteed. All contestants who advance to Finals Round will have to fill out a Registration Form and pay Live Auditions fee by a deadline stated in the Form, in order to confirm their participation in the Final Round. 4. Financial Aid Full and Partial Scholarships covering Application and/or Registration Fees may be awarded to qualified applicants based on need. Inquiries and requests for Financial Aid are considered based on the Applicant’s unique circumstances and the Competition’s ability to provide funds. Financial Aid may be awarded to qualified applicants towards purchasing and/or renting necessary equipment required for quality broadcasting of the Contestant’s performances in Semi Final and Final Rounds ONLY. No Aid will be awarded towards costs for Preliminary Round video submissions. 5. Age Groups, Categories, Instruments SEC accepts all instruments, ages, styles, and voice. In the Preliminary Round of the Competition contestants compete within their respective age groups. Instruments accepted: • Piano • All String Instruments • All Wind Instruments • Guitar • Harp • All Percussion Instruments • All Baroque Instruments • All Ensembles • Voice Eligible music styles and periods: • Baroque (Period instruments) • Classical • Contemporary including performances of original compositions by contestants and all types of “covers”: transcriptions, paraphrases, cadenzas, and other. • Jazz, including improvisations, jingles, mixes, standards, and other. • Music from around the world • Opera and Lieder • Broadway and Light In the Final Round contestants compete within their respective age groups in the following Categories: • 10 and under • 11-14 • 15-18 • Adult (19 and older) 6. Repertory and Time Limits • Contestants are free to choose any repertory, for ALL Rounds; pick what represents you best as a musician. • If you wish to be considered for special Awards check the descriptions on the website and plan your repertory accordingly. Time limits • For all Preliminary Round Auditions Videos time limit is 10 min. • You will not be disqualified for shorter performances • If you choose one composition which is longer than 10 min., you will not be disqualified for overtime • Final Rounds - time limits and repertory requirements vary, please check specific requirements on website. 7. Competition Procedures and Formats SEC is held globally online. Video submissions are allowed only for the Preliminary Round. Final Round is held in the format of a LIVE Internet TV public Broadcast. Technical assistance, necessary technical preparations, consultations, guidance materials (printed, digital, video); individual remote tech check sessions with Broadcast Producers and Engineers, production of the Broadcast, Broadcast management are provided by the Sound Espressivo business partner, Virtual Concert Halls, a Virginia, USA based broadcasting and production company. Videos and Broadcasts of the Competition Rounds are property of Sound Espressivo and Virtual Concert Halls which retain full control of the copyrights. 8. Adjudication process Each Preliminary Audition video is adjudicated by one member of the SEC Judges’ Panel. SEC Judges may provide written comments for video submissions (available upon request) Final Rounds are adjudicated by the Judges Panel consisting of several members. Judges will provide on-air artistic feedback to each contestant immediately after the performance. All decisions by SEC Judges are final and may not be disputed. All decisions by companies-sponsors of Prizes and Awards are made by the respective companies’ representatives and are final. 9. Prizes and Awards • Each Contestants will receive Judges' comments (written for video submissions, live onscreen for live performances) • Certificate of Participation. Laureates. Up to 6 (Six) Laureates will be chosen by the Judges Panel in consultation with SEC Board. Each Laureate Award Package is valued at total of $8,500. Total Award Pool for Laureate Awards is valued at $51,000. Laureates are eligible to receive the following Awards pending Judges Panel decisions: • Laureate Recital Award. Valued at $5,000 each. Full management service from VCHS necessary to provide the Laureate with an opportunity to present a full solo recital on the VCHS Virtual Stage. Each Laureate Recital will be publicly broadcast on all VCHS platforms. Each Laureate Recital will be promoted through VCHS social networks, mailing lists, media. Each Laureate Recital and its promotion campaigns will be serviced by VCHS producers, graphic designers, copywriters, social media specialists, audio/video streaming engineers. Dates of Laureate Recitals TBD • Laureate Interview Award. Valued at $2,000 each. Interview Award provided by VCHS. The Award is aimed at helping Laureates launch their careers, promote their artistry, jump-start their presence as musicians of statute. Each Interview will be professionally scripted and services by VCHS production teams and conducted by VCHS Host in a format of a live broadcast. Each Interview is up to 60 minutes in length. • Laureate Coaching Award. Valued at $1,000 each. Full course on professional streaming/broadcasting technology and methods provided by VCHS. Valued at $1,000 each. • Laureate Profile Award. Valued at $500 each. Professionally designed Artistic Profile on SEC and VCHS websites Laureates are eligible to receive additional Awards sponsored by Companies (check the Prizes Page on SEC website) Winners. Up to 12 (Twelve) Winners will be selected by the Judges Panels to receive Winners Package Award. Judges Panels have a complete discression when selecting Winners. Each Winner Award Package is valued at $3,800. Total Award Pool for Winners Awards is valued at $45,600. Judges Panels may choose up to: One First Place Winner, One Second Place Winner, One Third Place Winner in each Age Category Multiple Honorable Mentions may be awarded. • Winners Concert Award. Valued at $2,000 each. Up to 12 Winners will be selected by the Judges Panel to receive this award. Each Winner is eligible to receive full management service from VCHS necessary to provide the Winner with an opportunity to perform in a group Winners Concert on the VCHS Virtual Stage. Time limit per performer is 20 minutes. • Winner Group Interview Award. Valued at $1,000 each. Group Interview Award is provided by VCHS. The Award is aimed at helping Winners launch their careers, promote their artistry, jump-start their presence as musicians of statute. Each Interview will be professionally scripted and services by VCHS production teams and conducted by VCHS Host in a format of a live broadcast. Each Interview is up to 60 minutes in length and will present no more than 4 Winners. • Winner Group Coaching Award. Valued at $500. Full course on professional streaming/broadcasting technology and methods provided by VCHS. In groups of no more than 6 Winners. • Winner Profile Award. Valued at $300 each. Professionally designed Artistic Profile in a group space on SEC website. Honorable Mentions. Up to 10 (Ten Awards) Valued at $1,000 each. Total Award Pool for these Honorable Mention Awards is up to 10, or up to $10,000. All Finalists who are awarded an Honorable Mention will receive an Honorable Mention Award Package consisting of: Designer Certificate Profile in an Honorable Mention group page on SEC website An invitation to perform in one multicast group concert on VCHS Virtual Stage (time onstage per performer is limited to 5 minutes) Additional Awards and Prizes All applicants are eligible to be selected to compete in Sound Espressivo Live Finals All Finalists, including Laureates, Winners, and Honorable Mentions are eligible and considered to receive scholarship Prizes to participate in masterclasses with distinguished artists around the world. All Finalists are eligible and considered to receive scholarship Prizes for participation in prestigious summer programs and festivals around the World. All Finalists are eligible and considered to receive scholarship Prizes for VCHS Broadcasting Seminar All Semi Finalists and Finalists receive a Designer Certificate reflecting their respective advancements. All Applicants receive Recognition Award sponsored by the iClassical Academy, regardless of their advancement. All Applicants are eligible to receive free passes to observe masterclasses with distinguished artists around the world. Prizes sponsored by international music companies. All Finalists will be considered by SEC sponsoring companies as candidates for the Prizes (check the list of Prizes on SEC website periodic updates as the Competition regularly accepts more eligible Prizes from companies around the World). Sponsored Prizes are awarded by the companies- sponsors' representatives independently from the Judges Panels. Not all Prizes may be awarded. Companies’ decisions are final. Cash Awards. All Finalists, Winners, and Laureates are eligible and will be considered as candidates to receive cash Awards. Specific amounts of each category of cash Awards will be determined and announced by the SEC Board as soon as practical, for each Season. Your family and friends can watch your live performance and cheer in real time. Your performance will be recorded, and your friends will be able to see it after that date. If you choose to submit a video, it will be premiered on our channels and available for replays. 10. Prizes sponsored by Partner Companies Sponsor Companies’ Awards are posted publicly on the SEC website, for each Season. The list of Partner Companies and the Prizes is updated on a regular basis, please check periodically the Prizes and Awards page on the website for the most up-to-date information. Partner-sponsored Prizes include possibilities to receive: • Performance engagements, Management services, • Scholarships for prestigious music festivals and summer programs Scholarships for masterclasses and courses • Coaching programs for musicians in career planning, social media for musicians, professional topics of musicians’ health and wellbeing • Scholarships for access to professional and educational resources Professional audio and video recording services • Professional web design services specific to musicians and artists Graphic design services for performing artists. • All Finalists will be considered by SEC sponsoring companies as candidates for the Prizes (check the list of Prizes on SEC website periodic updates as the Competition regularly accepts more eligible Prizes from companies around the World). Sponsored Prizes are awarded by the companies-sponsors' representatives independently from the Judges Panels. Not all Prizes may be awarded. Companies’ decisions are final. 11. Teachers’ and Educational Institutions’ recognition Sound Espressivo Competition Board understands the importance of support which students receive from their community, their schools, and especially from their teachers, for them to grow as musicians. As our token of appreciation for the hard and creative work which these people and organizations invest in the students' growth and future, we provide Sound Espressivo Contestants' School and Teacher with a featured space on the Sound Espressivo website. Each Teacher and School will receive a Profile created on the SEC website, including visual branding and individual Teacher’s pictures, we will also provide links for visitors to learn more about these distinguished educators and institutions. 12. Public Broadcasts. Tech requirements and release/consent forms All public broadcasts of the Competition are provided and managed by Virtual Concert Halls, an independent broadcasting and production company registered and headquartered in Vienna, Virginia, USA. VCHS will provide each Contestant with who performs on the public broadcasts of SEC events with instructional materials, individual preparation time and tech checks with streaming producers and staff, and all assistance available, to ensure an even field of the quality technical presentation for all SEC Contestants. Please refer to the “Technical Requirements” section on the website for more detailed information All Contestants, Guests, Teachers, Representatives, others who appear on the VCHS Broadcasts of the SEC events must sign release/consent forms, as required by the Virginia local, the US Federal, and the international laws and regulations governing public Internet TV broadcasts. Please note: Each Contestant’s checking of a BOX on the Application Form constitutes their consent and is in place of a separate signature of a separate form. To review the form, click here Virtual Concert Halls enjoys the “Allow Listed Broadcaster status from the Warner Music Group which provides VCHS broadcasts with protection against getting “muted,” taken down, or otherwise disfigured by WMG Copyrights Department through copyrights claims. VCHS earned the status through its strict adherence to copyrights and international regulations. All those who appear on the SEC public broadcasts provided by VCHS will enjoy the privileged status which comes with the responsibilities for Contestants and others to only perform music which they have the right to perform. 13. Privacy Policy and Consent/Release Form By submitting an Application to any competitions posted on Sound Espressivo website you consent to Privacy Policy and copyrights Release for public broadcasts and other forms of presentations associated with participation on SEC events. SEC Privacy Policy can be reviewed here Consent /Release form can be viewed here 14. Competition Board Sound Espressivo Board of Directors and Advisers is the governing body of the Competition. SEC Board Officers and Members: Anna Ouspenskaya, Secretary Antara Hebbar, Member, Youth Advisor Micah Yui, Member, Adviser Avguste Antonov, Member, Adviser Mellasenah Morris-Edwards, Member, Adviser Michal Szostak, Member, Adviser Section 15 Masters and Masterworks Competition 2023-24 Music for Youth! Call for Scores by living Composers. Performers who wish to present new music. Compositions for Piano, Violin, Cello Winners - Scores and Perfomers - will be presented at the Weill Recital Hall at Carnegie Hall Gala Concert on April 1, 2024 Performance at the Carnegie Hall is a Fully Sponsored opportunity, no performance fee required Application Deadline - October 15, 2023 Masters and Masterworks mission is to connect young musicians and living composers on a journey of discovery of Music for Youth! Music for Piano, Violin, or Cello, written for Young Performers. Violin and Cello pieces can be with or without accompaniment. No compositions for chamber ensembles. Compositions for Piano 4Hands are accepted. Awards Up to Three Scores will be selected for a performance at the Weill Recital Hall at Carnegie Hall on April 1, 2024, at the Laureates Gala (one composition for Piano, plus one for Violin, plus one for Cello). Up to Three Performers will be selected to perform these compositions at Carnegie Hall. All performances are fully sponsored by Sound Espressivo, Progressive Musicians, and Virtual Concert Halls. There is NO PERFORMANCE FEE required for Winners to perform at the Gala concert at Carnegie Hall (travel and accommodations in NY City are the responsibility of the Winner). In addition to the performance, all Winners (Composers and Performers) will receive: A Carnegie Hall Archival DIGITAL VIDEO of their performance (see Regulations for acceptable uses as per by Carnegie Hall rules) Medal Certificate Full color brochure (digital and printed) Complimentary ticket An Interview by Steve Robinson, a world-renowned producer of Photos Letters of recommendation and other support Professional Portfolio packets available upon request Judges’ decisions are final and cannot be disputed. Not all Prizes may be awarded. Application and Audition Process Preliminary Round Composers sumbit scores. One score per Application. Duration limit - 5 min Performers submit a video of any composition of their choice. Time limit - 10 min Results Composers: Up to 6 scores will be selected for the Final Round (two scores per each instrument) Scores will be published on the websites and made downloadable for Performers. Composers whose pieces were selected will join the Judges Panel as Artistic Advisors (non-voting members). Performers: Up to 12 Finalists will be selected for the Live Round (4 musicians per each instrument). The jury may select Alternates. Finalists will choose a piece which they wish to prepare for the Final Round, from the Finalist scores. Final Round Live performance by 12 Finalists in front of the Judges Panel, on a world-wide Internet TV Broadcast. The Judges Panel includes Composers of the pieces which were selected for the Final Round. Composers and Performers will have an opportunity to meet and get to know each other. Judges from aroud the world provide on-air commentary immediately after each performance. Finalists meet the Judges and can ask questions. Musicians' supporters can write comments which will be shown onscreen. Family and friends can watch and be part of your LIVE performance from anywhere in the world. Performer Finalists will receive Technical Preparation session with VCHS Broadcast Directors and Engineers, in preparation for the broadcast, at no additional cost. More about Broadcast technology for musicians here Age Limits Composers: no age limit Performers: 18 and under Application Fee Composers: $75 Performers: $100 Finals Live fee: $0 Winners Performance at Carnegie Hall fee: $0 Important DATES October 15, 2023 - Composers submit scores and Application Deadline November 05, 2023 - Scores selected for Finals are announced. November 15, 2023 - Performer Application Deadline (submit a video of any composition) December 5, 2023 - 12 Finalists are announced. February 1, 2024 - Registration deadline for the Performers Tech Preparation sessions for Performers February 19-23, 2024 - Tech Preparation sessions for Finalists (no additional fee required) February 24-26, 2024 - Final Round of the Competition APRIL 1, 2024 - Laureates Gala Concert at Weill recital Hall at Carnegie Hall

  • Sound Espressivo 2021-2022 | Sound Espressivo

    Sound Espressivo is the first online LIVE streaming Competition for musicians of all ages. Contestants and judges focus on unique artistry of every performer, awarding prizes offered by music management companies. ¿Cómo funciona? Calendario de la competencia Reglas y regulaciones Fechas, grupos de edades, categorías Instrumentos y categorías de conjuntos Repertorio ¿Qué es la transmisión de televisión por Internet? Premios y premios Requerimientos técnicos Ver SEC TV por Internet Transmisiones de las rondas de competencia 2020 Gala 2020 Entrevistas con jueces, concursantes, profesores, directores musicales Conciertos de los galardonados y ganadores 2021 Audición preliminar Solicitud Formulario Tarifa: $ 100 * Ver reglas y regulaciones * Costo total de participación - $ 175 Los concursantes que no avancen a las Rondas de transmisión pública no necesitan pagar los $ 75 restantes TIEMPO REAL ¡Actúe en VIVO en tiempo real frente a un distinguido panel de jueces y una audiencia mundial! Sound Espressivo 2021 LIVE! Sound Espressivo 2021 LIVE! Reproducir video Compartir Canal completo Este video Facebook Twitter Pinterest Tumblr Copiar Enlace Enlace copiado Search videos Buscar video... Ahora en reproducción Sound Espressivo Gala and Announcement of Winners 02:18:17 Reproducir video Ahora en reproducción SEC Finals. Session 1, Age group 26+. January 29 at 10:00 am EST 03:28:03 Reproducir video Ahora en reproducción SEC Finals. Session 2, Age groups 15-18 & 19-25. January 29 at 3:00pm EST 02:15:20 Reproducir video Ahora en reproducción SEC Finals. Session 3, Age group 10 and under & 11-14. January 29 at 8:00pm EST 04:20:33 Reproducir video Ahora en reproducción SEC Finals. Session 4. Age groups 10 and under & 11-14. LIVE, January 30 at 10:00 am. 03:48:11 Reproducir video Ahora en reproducción SEC Finals. Session 5, Age group 26+. January 30 at 3:00pm EST 03:00:24 Reproducir video Ahora en reproducción SEC Finals. Session 6, Age groups 15-18 & 19-25. January 30 at 8:00pm 01:34:11 Reproducir video Ahora en reproducción SEC Semifinals LIVE, Session 5. Saturday, December 18, 2021 03:07:08 Reproducir video Ahora en reproducción SEC Semifinals LIVE, Session 2. Friday, December 17, 2021 04:28:12 Reproducir video Ahora en reproducción SEC Semifinals LIVE, Session 7. Sunday, December 19, 2021 05:26:12 Reproducir video Ahora en reproducción SEC Semifinals LIVE, Session 1. Thursday, December 16, 2021 03:50:51 Reproducir video Ahora en reproducción SEC Semifinals LIVE, Session 3. Thursday, December 18, 2021 02:59:49 Reproducir video Semifinals Program

  • UNICEF Fundraiser for Urkraine | Sound Espressivo

    Sound Espressivo helps UNICEF provide help to children in Ukraine. SEC is the first online LIVE streaming Competition for musicians of all ages. Contestants and judges focus on unique artistry of every performer, awarding prizes offered by music management companies. Donate to UNICEF Follow us on socials! Big thank you to all supporters! We are extremely grateful everyone who donated funds, produced the event, helped get the public aware and informed. The Fundraiser was a great tribute to human empathy and collaboration. This campaign is now closed CHICAGO’S UKRAINIAN INSTITUTE FOR MODERN ART PARTNERS WITH VIRTUAL CONCERT HALLS TO HOST A LIVE GLOBAL INTERNET BROADCAST TO BENEFIT UNICEF USA All Funds Raised will Support Emergency and Humanitarian Aid for Ukrainian Families and Children Suffering from the Devastation of War Wednesday, April 13, 2022 6:00am-11:59pm EST/EDT Chicago -- On April 13, 2022, the Ukrainian Institute for Modern Art (UIMA) is partnering with Virtual Concert Halls (VCHS) , a Virginia-based ITV producer, to host a global online fundraising effort to benefit UNICEF USA, who are committed to providing emergency aid to families and children in Ukraine. The event will stream to multiple social media platforms including YouTube, Facebook, Twitch and LinkedIn. Virtual Concert Halls will take the 18-hour live Internet Web stream from 5:00 a.m. to 11 p.m. CT from the Institute’s gallery and distribute it live to major social media platforms. Virtual Concert Halls streams live events from all over the world and are experts at streaming simultaneously on multiple social media platforms. Throughout the broadcast, news anchors will interview a wide variety of people who are close to the situation in Ukraine including historians, scholars, lawmakers, young Ukrainian refugees who recently arrived in Chicago, among others. UNICEF has been in Ukraine for 25 years—and it is on the ground now, delivering safe water, health and hygiene supplies, blankets, warm clothes and psycho-social care to children and their families. Security is especially crucial during this time when many children and youth are separated from their families which leaves them in indescribably vulnerable. Donations are accepted any time before, during, and after the live stream. According to a recent statement by UNICEF USA, two million children have now been forced to flee Ukraine, as the war rages on. “The situation inside Ukraine is spiraling,” said UNICEF Executive Director Catherine Russell. “As the number of children fleeing their homes continues to climb, we must remember that every single one of them needs protection, education, safety and support.” In a joint statement, Motria Melnyk, President of the Ukrainian Institute of Modern Art and Marta Farion, Vice President said, "The war in Ukraine is breaking all of our hearts and so the opportunity to make our facility the staging area for this amazing fundraising effort was enthusiastically welcomed by our board and staff." In addition to her work at the Ukrainian Institute, Farion is also the president of the Kyiv-Mohyla Foundation of America. Virtual Concert Halls co-founder, Anna Ouspenskaya, said, “We are deeply touched and honored to be included in this project. People on our team come from different continents and backgrounds, but many of us share one thing in common: we carry scars and pains of being raised in the countries of the former Soviet bloc, or have relatives who endured the horrors of that terrible regime. Working on this project is the least we can do for Ukrainians who are enduring unimaginable pain. My colleagues at VCHS and I myself are putting our whole hearts into this effort.” HELPING UNICEF IN UKRAINE Internet Broadcast is spearheaded by veteran public radio broadcaster, Steve Robinson, President of New Media Productions. In 2003 for the victims of the tsunami and again in 2010 for victims of the earthquake in Haiti, Steve organized all-day fundraisers in involving virtually all Chicago television and radio stations that each raised $3 million in humanitarian assistance. “I hope this 18-hour continuous stream raises millions of dollars for UNICEF in this emergency,” Robinson said. ABOUT UNICEF: The United Nations Children’s Fund (UNICEF) works in more than 190 countries and territories to pursue a more equitable world for every child. UNICEF has helped save more children’s lives than any other humanitarian organization, by providing health care and immunizations, safe water and sanitation, nutrition, education, emergency relief and more. UNICEF USA advances the global mission of UNICEF by rallying the American public to support the world’s most vulnerable children. Together, we are working toward a world that upholds the rights of all children and helps every child thrive. For more information, visit www.unicefusa.org. VIRTUAL CONCERT HALLS Virtual Concert Halls (VCH) is Virginia-based independent live Internet TV broadcaster and Production Company which focuses its programming on education and music.  Founded in 2020, VCHS quickly gained international recognition as a leading expert in live ITV and hybrid live streaming of complex broadcasts with global reach.  Since launching 18 months ago VCHS earned its extensive experience in live ITV through production of over 600 live broadcasts with leading music, arts, educational organizations, and world class performers from every continent. VCH are experts in reaching out with the message of beauty, collaboration, love, and peace, to international communities through social networks and global video platforms. THE UKRAINIAN INSTITUTE OF MODERN ART: The Ukrainian Institute of Modern Art (UIMA) preserves and promotes contemporary art as a shared expression of the Ukrainian and American experience. UIMA develops, utilizes and encourages artistic talent through exhibitions, concerts, readings, lectures and films to serve the cultural needs of our community and city, and thereby strengthen cultural understanding and diversity. For more information contact: Steve Robinson at 312-545-3535 steve@newmediaproduct.com or Joanie Bayhack jebayhack@gmail.com

  • Gala at Carnegie Hall | Sound Espressivo

    Laureate Gala Weill Recital Hall at Carnegie Hall November 21, 2023, at 7:00pm EST Visit Carnegie Hall site for tickets Instrumentalists, Vocalists, Ensembles & Composers From Around the World Download Promotional Materials Download Program Booklet The New York Chamber Players Orchestra under the baton of Maestro Giacomo Franci is featuring world class soloists from US, Europe, Canada, Asia. Premieres of newly composed works; recital soloists, and ensembles. SPECIAL GUESTS Giacomo Franci Music Director of New York Chamber Players Orchestra Maurizio Mastrini Pianist Jennifer Wang Pianist Ka Long Chris Au Pianist Meet the Gala Performers Concertos and Pieces with Orchestra by Haydn, Beethoven, Khachaturian, Saint-Saëns, Debussy, Albeniz , Lowe Finney, Sophie Dunér, Mauricio Mastrini Rubén Ángel Russo Guitiérrez, Piano Qianci Liu, Cello Ariel Levy, Saxophone Olivia Zhang, Piano Stacey Stofferahn, Soprano Emily Snelbecker, Piano Ralitsa Tcholakova, Violin Marcela Gonyea, Piano Sophie Dunér, Mezzo-Soprano SOLO PERFORMANCES: Antian Jiang, Piano Marcio Candido, Violin Jelena Stefanic, Soprano Sophie Dunér, Mezzo-Soprano Marie-Claire Giraud, Soprano Lee Stockner's students Music Lee Inclined Guy, Inc. Ari Amir, Piano EJ O’Connor, Piano Jason Wasserman, Piano Shane Patel, Piano Brendan Yu , Piano CHAMBER ENSEMBLE: Kristina Henckel & Amanda Virelle, Piano Duo NEW COMPOSITIONS BY: Lowe Finney Sophie Dunér Gala Laureates INTERVIEWS WITH STEVE ROBINSON NOVEMBER 19 -20 in New York City Steve Robinson is an American radio manager, producer and executive producer. He has held senior management positions with numerous American radio stations, including WFMT and the WFMT Radio Network/Chicago, WBUR/Boston, WGBH/Boston, WCRB/Boston, KPFA/Berkeley, WBGO/Newark, Vermont Public Radio and Nebraska Public Radio Network.ork. Robinson served as general manager of the statewide Nebraska Public Radio Network (1990-2000) and WFMT and the WFMT Radio Network from 2000 until October 2016. A 50-year radio veteran, he has produced programs ranging from classical music documentaries to public affairs programs and has directed over 100 on-air pledge drives. In 1984, he co-founded AIR, the Association of Independents in Radio, a service organization to assist independent radio producers in the United States. Robinson wrote AIR’s first two successful grants from the New York State Council on the Arts and the National Endowment for the Arts. James Adler Audience Favorite AWARD $250 "It is very important to have the audience participate in this competition! It engages the listener and encourages our wonderfully talented contestants. I am delighted to co-found the James Adler Audience Favorite Award for the Sound Espressivo Global Music Competition. Sit back, listen, enjoy -- and please vote!" ~James Adler, Pianist and Composer Photo: Frank Gimpaya Artists from Around the World Sample Compositions from All Periods of Classical Music Kaleidoscope of Genres, Instruments, Ensembles Age is Not a Limitation of Artistry! Performers are A ged 7-80 iClassical Academy AWARDS iClassical Academy provides Recognition Awards to Winners and Parti cipants of Carnegie Gala Auditions We believe that anyone, at any time, should have access to the wonderfully beautiful world of music Our mission is to provide new generations of musicians, from any part of the world, the possibility to improve their skills and enjoy a wide audience iClassical Academy is based in Switzerland International Panel of Judges Vera Danchenko-Stern (piano/vocal coach) Julio Reyes (conductor/guitar) Michelle Lynn (piano) Galina Ivannikova (voice/piano) Giacomo Franci (conductor/piano) Fred Rosenberg (clarinet) provided immediate on-air fe edback to participants during the Live Audition sta ge. To learn more about the Judges, and to see their bios click here

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